Improving Pirouettes

I was recently asked about some tips on how to improve at multiple pirouettes. I know that lots of students are wanting to know the same thing, so here is my answer:

1. Engaging your abdominal/core muscles is necessary for maintaining good alignment during the turn.
2. Every turn is a balance, so work on balancing in the position in which you want to turn (retiré, a la seconde, etc.)
3. Spot and keep your eyes off the floor (or that’s where you’ll end up).
4. Use only enough push to get around – sometimes a dance student’s biggest downfall in pirouettes is pushing so hard that they throw the turn off.
5. Connect your arms to your back – you should feel width between the shoulder blades and the arms should maintain their position (don’t “wind-up” for a turn)
6. Take off from a properly placed and wide plié for power in the turn.
7. Strengthen your ankles supporting the relevé – if you are wobbly, sickled, or pronated, this will ruin your turn.
8. Make a choice to come down from the turn, don’t let gravity make the choice for you.
9. Visualize yourself doing a beautiful, clean pirouette – it really does help!

Pirouettes are not an easy movement. Anyone can whip themselves around but it takes years of practice (plus a good deal of strength) to perform a proper pirouette. Work hard at the barre and in centre on the fundamentals (plié, relevé, etc.) And, work on getting a good, clean single pirouette first (with a strong grasp on the elements above), then progress to multiples. Don’t give up! If you are working hard, applying your teacher’s corrections, and not letting self-doubt psych you out, you will be able to do multiple pirouettes.

What we hope ever to do with ease, we must first learn to do with diligence.

What are some other tips that you can offer or have been given to you? What do you find most difficult about pirouettes?

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About Nichelle (admin)

Nichelle Strzepek began Dance Advantage in 2008, equipped with little more than passion for movement education, curiosity, and an intuitive sense that the Internet could bring dancers together. She has written about 100,000 words on dance and dance training each year of its existence. Nichelle holds a BA in dance and is an instructor with more than 16 years experience. She continues to perform as a contemporary dance artist, covers dance in the Houston area as a freelance writer and critic, and balances daily life as a full-time mom of two young children.

Comments

  1. Anne says:

    The best thing that I’ve EVER learned at a dance competition. By Joe Lanteri from NYCDA>>>>>
    Pirouettes:
    1. Round arms
    2. High Passe
    3. Straight Supporting leg
    4. Spot
    5. Think UP!
    I share this with all of my students. Thanks Joe!
    Anne

  2. Engela says:

    I`m happy to have discovered this ballet site, it is very informative. How to improve pirouttes did help me. thank you very much, I will be a frequent visitor.

    Engela

  3. Thanks, Anne: All good things to remember.

    I was just thinking of something I learned from Kenneth Laws during a master class on the physics of dance. Most dancers will show you a proper 1st position when asked how they hold their arms during a pirouette. However, after studying footage of excellent turners, he found that they all brought their arms closer to their body than is proper for a 1st position port de bras. When you think of how an ice skater spins, you will probably understand why.

    Just what’s on my mind this evening!

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