A brown swan in the very white world of ballet, Misty Copeland painted her skin a different color in order to play roles in Giselle and Sylvia. 1957? 1977? Nope – 2007. Leigh Purtill looks at Misty’s memoir Life in Motion.
elite ballet
Ballet and Sacrifice: More Than One Story; More Than One Definition
Did you catch “I Sacrificed Everything for Ballet” in the March issue of Seventeen? Guest Melanie Doskocil helps balance the view with some straight talk about ballet training for a career, inviting readers to weigh in with their thoughts on sacrifice, crossing the line, and how to prevent the pitfalls of elite training.
