It is very important to be budget conscious but also expectation conscious as well when it comes to dance recitals and performances. With everyone on the same page, performance time can be a magnificent time to learn, develop, explore and ultimately have fun!
Performing
The Truth About Well-Rounded Dancers
Experience and exposure in a variety of dance styles is important for creating versatile dancers and may even be a necessity for aspiring professionals. Being well-rounded in dance is a good thing. Exposure to different dance forms, starting at a young age, is a great thing. So where’s the myth? It lies in the misplaced emphasis on experience and omission of training.
Crafty Ideas: Recital Gifts For Your Teacher
End-of-year performances dominate dance studios between April and June. It is a busy time and parents and students are often left scrambling to find just the right thank-you gift for their teacher. Gifts for teachers need not be expensive. In fact, I don’t know any teacher who would not cherish a simple thank-you letter from the heart! However, there are plenty of cute, easy, and useful craft ideas online.
Role Of A Lifetime: Returning To Dance As A Mom
“Your body does change,” confirms Sara, “and my fear was that I wouldn’t be able to look or dance the way I did before pregnancy and birth.” It was a fear that Toni shared. When asked what concerns she had about pregnancy, Toni answers, “That my body would never be the same. Its true, my body has never been the same. So what.” However, Toni concedes, “Like most dancers, I am hard on my body image, and that got worse after having a baby.”
Pas de Deux: Two Career Dancers On Pregnancy
Balancing any career with motherhood has its challenges but mother/dancers certainly face some unique concerns and questions. To produce a picture of what it is like for mothers who are also professional dancers, I spoke with two dancing moms, one a ballet dancer, one a contemporary dance artist and choreographer. In this first installment, we discuss pregnancy and what it is like to dance and perform while expecting.
First of All — A Chat with Prix de Lausanne Winner Emanuel Amuchastegui
At the Prix de Lausanne, he performed a classical variation from August Bournonville’s La Sylphide and a contemporary solo, Caliban, from Cathy Marston’s The Tempest. In addition to winning PDL’s top prize, Amuchasetgui also brought home the “Audience Favorite” award. In the wake of his win, Amachastegui was kind enough to answer a few questions about his experience at the prestigious competition, his training, and his life outside of dance.
