It can be scary to break out of the comfortable confines of your local studio. But branching out has many benefits for an aspiring dance professional. By taking a wide variety of dance classes from different sources, you become a more versatile dancer. In today’s dance industry, versatility is extremely important. Sure you can specialize in a specific dance genre, but it is also important to be well-versed in a variety of styles.
Career in Dance
First of All — A Chat with Prix de Lausanne Winner Emanuel Amuchastegui
At the Prix de Lausanne, he performed a classical variation from August Bournonville’s La Sylphide and a contemporary solo, Caliban, from Cathy Marston’s The Tempest. In addition to winning PDL’s top prize, Amuchasetgui also brought home the “Audience Favorite” award. In the wake of his win, Amachastegui was kind enough to answer a few questions about his experience at the prestigious competition, his training, and his life outside of dance.
The Professional Dancer’s Survival Kit
Do you have an interest in taking your dancing to the professional level? Here are some inside tips on what you need to survive in your career as a professional dancer.
Gracing the Stage — My Interview with Houston Ballet’s Joseph Walsh
I do a bit of writing and reviewing in Houston and it has been my pleasure to have the opportunity to interview some of the area’s finest dance talent. I don’t always cross-post my stuff here but when I get to talk with someone about their training and experiences, I like to share that with […]
A Young Man That Dances — Exclusive Interview with Garrett Smith, Houston Ballet’s Ben Stevenson Academy and HB II Graduate
“I knew what I was doing with my life, unlike the boys who called me names. The teasing made me work harder to prove them wrong and to be successful. When I went to Europe at age 13, I realized that they were so wrong because I was having so much fun dancing.”
Duncan Cooper Offers Advice at “My Son Can Dance”
My Son Can Dance author, Nina Amir, interviews Duncan Cooper.
