Sarah Dahnke is a New York dancer and choreographer who frequently incorporates props in her work. She shares a spectacular exercise to generate movement and use objects as part of the process as well as details about her latest project, Object as Performer.
10 Tips To Make It Your Best Ballet Summer Yet
Whether you’re just getting started thinking about auditions or have been planning since November, guest Juliette Clarke of BalletScoop wants to help you make this your best summer intensive audition season yet! Negative thoughts, preparation tips, and the big decision – it’s all covered in these ten tips.
From Ballet to the Barnyard: Picture Books in 2011
Looking through the list of dance-related picture books that were released in the United States in 2011, three unique categories of books stand out. Picture Books & Pirouettes blogger, Kerry Aradhya looks at little ballerina characters who could give Angelina a run for her money, Spanish and Latin American dance, and books that explore the joy of movement.
This Is Why I Bother
To those who aren’t dancers or teachers, all the little rules and details we observe and require of our students may seem silly or pointless. But we have our reasons and they’re illustrated in Melanie Doskocil’s final entry for the year in Ballet’s Un-X-pected Lesson Files.
What To Do When It’s Clear A Career Isn’t In Your Future
A dance career is not for everyone. Even those who’ve spent many happy years training, with dance classes every night, rehearsals, competitions and performances every weekend, formed deeply bonded friendships, and had amazing dance mentors. But after all the blood, sweat, and tears, what do you do now? Jessica Shoop Williams has been there… and back again, and shares her advice with you.
Some Dreams Are Worth Fighting For
Mia Michaels is known as a tough character and dancing in her company RAW was definitely rough. But it taught Melanie Doskocil a valuable lesson about struggle and perseverance. Her story will leave you asking what you would have done in her shoes.