The way that a dancer carries his/her head, the length of the neck, and the position of the chin, are pivotal to the overall appearance of grace and poise so necessary in dance. Understand the cervical spine and how it functions to project self-confidence, and improve common mistakes in cambré and carriage of the head.
Archives for February 2011
The Desegregation of Dance and the Pioneers Who Made It Possible
Dance Advantage contributor, Roger Lee reflects on Black History Month, focusing in particular on a time when dance, along with the rest of America, was segregated. Giving a brief history of ballet dancer and pioneer, Arthur Mitchell, Roger expresses the inspiration that Mitchell and other trailblazers have provided for young black dancers like himself.
Teacher’s Top Three: Learning Fun and Games
Featured teacher, Caroline Creggan has been a qualified dance teacher for two years and is principal of her own dance school. Caroline Creggan Dance School (C.C.D.S) is based in Northern Ireland. In it’s second year, the school trains students for dance exams in Modern Jazz, Freestyle, and Choreography. For her Top Three Caroline shares three activities that she uses regularly in classes for junior dancers to build their confidence and skills.
Terpsichorus: Discussing Entity — Wayne McGregor/Random Dance
Terpsichorus means to delight in dance and is an open group event to encourage conversation and commentary on dance film, video, or books. Join us in our premiere discussion of the film and dance work Entity (Wayne McGregor/Random Dance). All are welcome. Join anytime!
Women in Dance: Undervalued in Supporting AND Leadership Roles?
As Artistic Director of Ballet Memphis, Dorothy Gunther Pugh is one of only a handful of women at the helm of ballet companies in the United States, where leadership roles (particularly for large budget organizations) are primarily filled by men. In her contribution for Dance Advantage, Ms. Pugh addresses what she’s witnessed as a woman in the field and points out imbalances during the training years which discourage young women from looking beyond the corps and moving into leadership roles.
Working With A Music Editor
Jason Marquette returns with more tips as you prepare music for recitals and competition. This time he helps you save time, money, and frustration when hiring someone to edit your music.
