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	<title>Dance Advantage &#187; television</title>
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		<title>Dance, Dance Everywhere!</title>
		<link>http://danceadvantage.net/2010/01/08/dance-dance-everywhere/</link>
		<comments>http://danceadvantage.net/2010/01/08/dance-dance-everywhere/#comments</comments>
		<pubDate>Fri, 08 Jan 2010 12:00:31 +0000</pubDate>
		<dc:creator>Nichelle (admin)</dc:creator>
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		<description><![CDATA[There are a few aspects of televised dance that I find annoying but what I truly love about the success of dance on television is its potential for building awareness of what it is to be a dancer and for expanding the dance audience. I don't think filmed productions can replace live performance, even the flashy stuff on TV doesn't come close. It is my hope though that, as its small-screen cousin has done, dance which makes its home in live-performance venues will begin to embrace its inner "hottie" in the coming year.]]></description>
			<content:encoded><![CDATA[<h4><strong>Dance is HOT! </strong></h4>
<p><strong>And, you know what? I don&#8217;t see that changing in 2010.</strong></p>
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<dt class="wp-caption-dt"><a href="http://www.daylife.com/image/0dOAgd55eY1Ie?utm_source=zemanta&amp;utm_medium=p&amp;utm_content=0dOAgd55eY1Ie&amp;utm_campaign=z1"><img title="PASADENA, CA - AUGUST 06: Judge/choreographer ..." src="http://cache.daylife.com/imageserve/0dOAgd55eY1Ie/150x95.jpg" alt="PASADENA, CA - AUGUST 06: Judge/choreographer ..." width="150" height="95" /></a></dt>
<dd class="wp-caption-dd zemanta-img-attribution" style="font-size: 0.8em;">Image by <a href="http://www.daylife.com/source/Getty_Images">Getty Images</a> via <a href="http://www.daylife.com">Daylife</a></dd>
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<p>Even astrologer, Susan Miller agrees. She appeared on <em>The Early Show</em> before the new year to make some predictions. This additional new year <a href="http://www.cbsnews.com/stories/2009/12/31/earlyshow/leisure/main6041698.shtml" target="_blank">conjecture was published on <em>The Early Show</em> blog</a>:</p>
<blockquote><p><em>&#8220;Interest in dance on TV will increase. In the summer there will be reality TV &#8212; but as Jupiter goes into Pisces better ideas will be brought to TV because it&#8217;s an artistic time.&#8221;</em></p></blockquote>
<p>I don&#8217;t know a thing about astrology but I do like the sound of that. More dance, better ideas, and artistic times ahead.</p>
<h3>Gazing into my crystal ball&#8230;</h3>
<div class="zemanta-img" style="margin: 1em; display: block;">
<div class="wp-caption alignleft" style="width: 202px"><a href="http://commons.wikipedia.org/wiki/Image:John_William_Waterhouse_-_The_Crystal_Ball.JPG"><img title="The Crystal Ball" src="http://upload.wikimedia.org/wikipedia/commons/thumb/9/99/John_William_Waterhouse_-_The_Crystal_Ball.JPG/300px-John_William_Waterhouse_-_The_Crystal_Ball.JPG" alt="The Crystal Ball" width="192" height="296" /></a><p class="wp-caption-text">Image via Wikipedia</p></div>
</div>
<p><strong>My prediction for 2010 is that we&#8217;ll see dance artists and companies making better use of technology and the internet to distribute their work in a way that is artistically and financially beneficial.</strong></p>
<p>I don&#8217;t know about you, but in my home we download music to our devices. We browse our AppleTV when we want to rent or download a movie. Missed TV shows are viewed online or purchased through iTunes®. Though I live in a large metropolitan area and attend a lot of live dance performance, I&#8217;d welcome being only a few clicks, flips, or bleeps away from dance content in my living room&#8230; that didn&#8217;t feature over-scripted &#8220;reality,&#8221; frenetic camera cuts, and nails-on-a-chalkboard-thank-goodness-for-fast-forward judges.</p>
<p>There are a few aspects of televised dance that I find annoying but what I truly love about the success of dance on television is its potential for building awareness of what it is to be a dancer and for expanding the dance audience. I don&#8217;t think filmed productions can replace live performance, even the flashy stuff on TV doesn&#8217;t come close. It is my hope though that, as its small-screen cousin has done, dance which makes its home in live-performance venues will begin to embrace its inner &#8220;hottie&#8221; in the coming year.</p>
<h3>Digital Schmigital</h3>
<p>I have to share something I read on the TenduTV blog because there has been a lot of talk in the dance <a href="http://danceadvantage.net/wp-content/uploads/2008/12/tendutv-small.jpg"><img class="alignright size-full wp-image-782" title="tendutv-small" src="http://danceadvantage.net/wp-content/uploads/2008/12/tendutv-small.jpg" alt="" width="80" height="23" /></a>world about a recent <a href="http://latimesblogs.latimes.com/culturemonster/2009/12/nea-report-shows-declining-attendance-in-arts-events-nationwide.html" target="_blank">NEA report that presents a decline in dance audience numbers</a> (the same report says <a href="http://www.washingtonpost.com/wp-dyn/content/article/2009/12/09/AR2009120904233.html?referrer=emailarticle" target="_blank">online viewing is up</a>, by the way):</p>
<blockquote><p><strong>The Real Dance Audience isn’t Really Declining.</strong></p>
<p>We know what the surveys and studies say, and we don’t believe a word of it. Sure, it’s fair to say that <em>attendance</em> at dance performances is declining. However, to leap from attendance declines to an overall audience decline is a huge and counter-productive stretch. Millions of people are watching dance on television every week. 10 year old children can accurately compare dancers’ attributes. If anything, the dance audience has grown faster in the last few years than in any other period in dance’s history.</p>
<p>The problem is that dance companies aren’t effectively reaching those audiences, if they’re reaching them at all.</p></blockquote>
<p>I encourage you to read the post at the <strong><a href="http://blog.tendu.tv/2010/01/06/ten-things-dance-companies-should-and-shouldnt-be-talking-about-in-10/" target="_blank">TenduTV blog</a></strong>. The article doesn&#8217;t place all blame on dance companies, it goes on to describe the catch-22 of dance film production &#8211; costs vs. distribution &#8211; and touches on copyright legalities, all of which make it difficult for artists to get their work out there for even dance-lovers to consume, let alone the general public.</p>
<p><a href="http://danceadvantage.net/2009/05/15/tendutv-delivers-dance/" target="_blank">I have talked before about the work TenduTV is doing.</a> In addition to my earlier prediction, I&#8217;d like to add that I am confident that this all-dance channel, which already makes streaming and downloadable content available online and via on-demand television, will continue to find more ways to enter your home, your computer, and your devices in 2010 and bring some fabulous dance artists with it.</p>
<h3>Dance, Dance Everywhere!</h3>
<p>Will the goal in this brave new on-demand world be getting the dance to the people? Perhaps! Despite fears, it may even improve those audience attendance numbers. So You Think You Can Dance doesn&#8217;t sell <em>less</em> live tour tickets because the dancers appear on people&#8217;s television set each week and movie-goers don&#8217;t <em>stop</em> going to movies because they get NetFlix at home or on their computer. Let&#8217;s have a little dance, dance everywhere!</p>
<hr />
<h4>Smart Moves</h4>
<div class="zemanta-img" style="margin: 1em; display: block;">
<div class="wp-caption alignright" style="width: 250px"><a href="http://www.flickr.com/photos/23678023@N07/2297989507"><img title="Lightbulb" src="http://farm4.static.flickr.com/3161/2297989507_5bd5d9db3f_m.jpg" alt="Lightbulb" width="240" height="160" /></a><p class="wp-caption-text">Image by UnstablePixel via Flickr</p></div>
</div>
<p>When it comes to 1) reaching a wider audience and 2) benefiting financially from the creative work itself, dance companies large, small, known, and obscure face a few obstacles.</p>
<p><strong>These are are the biggies:</strong></p>
<ol>
<li>Limited to live performance venues</li>
<li>Limited funding</li>
</ol>
<p><strong>So will the funding issue (#2) improve if dance companies are </strong><strong><em>smart</em> about how they expand beyond the confines of the proscenium stage (#1) and move forward in the digital age? </strong></p>
<p><strong>What would be the smart moves to make in 2010?</strong></p>
<p><strong>If companies cling too fearfully to the small audience that pays to come see them, do they risk missing the larger audience that would pay to have the dance company come to them?</strong></p>
<p><strong>Will a larger, home-viewing audience ever make it to the theatre?</strong></p>
<p><strong>What are some of the other obstacles concert dance companies face?</strong></p>
<h3><strong><em>You know what to do, leave your comments below!</em><br />
</strong></h3>
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<p><small>© Nichelle Strzepek for <a href="http://danceadvantage.net">Dance Advantage</a>, 2010. |
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		<title>National Dance Week &#8212; Live Dance Challenge</title>
		<link>http://danceadvantage.net/2009/04/26/ndw-challenge/</link>
		<comments>http://danceadvantage.net/2009/04/26/ndw-challenge/#comments</comments>
		<pubDate>Mon, 27 Apr 2009 03:31:46 +0000</pubDate>
		<dc:creator>Nichelle (admin)</dc:creator>
				<category><![CDATA[Blog]]></category>
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		<description><![CDATA[I feel it is important to leave our homes and participate as members of the dance audience whenever possible! There is much to be learned from those making dance art and from the experience of absorbing and witnessing a wide range of movement vocabularies, aesthetics, and perspectives.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><strong><em></em></strong></p>
<div class="wp-caption alignleft" style="width: 217px"><strong><em><strong><em><a href="http://www.nationaldanceweek.org/"><img title="National Dance Week 2009" src="http://images.teamsugar.com/files/upl1/1/12981/17_2008/national-dance-week.jpg" alt="National Dance Week 2009" width="207" height="239" /></a></em></strong></em></strong><p class="wp-caption-text">National Dance Week 2009</p></div>
<p style="text-align: justify;"><strong><em>This week is <a href="http://www.nationaldanceweek.org">National Dance Week</a> in the United States! Given the mission or intent of this grass roots movement is to </em></strong><span class="style5"><strong><em>&#8220;bring greater recognition to dance as an art form,&#8221; I thought I&#8217;d take a moment to encourage dance teachers and students to attend (or plan to attend) a live dance performance this week.<br />
</em></strong></span></p>
<p style="font-size: 16px"><strong><span style="color: #ff0000;">Live Dance Challenge</span></strong></p>
<p style="text-align: justify;">Seeing dance live is a completely different experience than seeing it on television. In live performance you choose what to watch on stage, taking in the entire picture or letting the movement (rather than a camera) draw your attention. The energy between performers and the audience is palpable, making it a more exciting way to see dance. And, live performances showcase diverse dance  styles and dancers that you might not otherwise encounter.</p>
<p style="text-align: justify;">
<div class="wp-caption alignright" style="width: 241px"><a href="http://www.flickr.com/photos/simongroenewolt/13751268/"><img src="http://farm1.static.flickr.com/10/13751268_9565e3103a.jpg" alt="Photo by Simon Groenewolt" width="231" height="172" /></a><p class="wp-caption-text">Photo by Simon Groenewolt</p></div>
<p style="text-align: justify;">For all of us devoted to dance training and helping others develop a passion for dance, I feel it is important to leave our homes and participate as members of the dance audience whenever possible! There is much to be learned from those making dance art and from the experience of absorbing and witnessing a wide range of movement vocabularies, aesthetics, and perspectives. If you happen to be a regular attendee of dance concerts or professional performances, consider trying a style, artist, or company that is new to you, something that may even push the boundaries and definitions of dance itself!</p>
<p style="text-align: justify; font-size: 14px"><span style="color: #008000;"><strong>Obstacles</strong></span></p>
<p style="text-align: justify;"><span style="color: #008000;"><strong>Distance </strong></span>&#8211; I realize that for some, getting to a performance is tricky. There are studios without direct or nearby access to professional dance companies or venues for dance. However, most of you are probably within a day&#8217;s drive of a space that occasionally houses dance productions. Get on their mailing list! It would likely be exhilarating for a group of your dancers to make a special &#8220;field trip&#8221; once or twice a year with their fellow teachers and students to see live dance. For myself, having grown up in a small town three or four hours from any major city, these occasional excursions are counted among my most memorable dance experiences.</p>
<p style="text-align: justify;"><span style="color: #008000;"><strong>Uncertainty</strong></span> &#8212; Though distance or logistics may sometimes be a problem, often I feel it is uncertainty that deters even those interested in dance from attending live dance concerts, particularly contemporary dance works. This is understandable! It is sometimes hard to know what to expect from an unfamiliar or untested choreographer or dance troupe. Attending something familiar, like <em>The Nutcracker </em>or <em>Swan Lake</em> can be engaging and inspirational experiences, however learning to appreciate dance art requires exposure that spans the spectrum. Unpredictability can be intimidating. <em>Will I feel dumb if I don&#8217;t get what the artist is trying to say? Will there be images or situations that will make me or my students feel uncomfortable? Will it challenge what I believe about dance? Will I feel like I wasted my money?</em> These concerns are normal. <strong><span style="color: #008000;">Whether you are looking to ease the minds of parents or simply familiarize your students, here are a few things you can do to prepare for your dance experience:</span></strong></p>
<ul style="text-align: justify;">
<li>Look online for past reviews, previews, or essays that pertain to the dance artist or composition in question. More than just criticism of a work, reviews often provide some context with which to view the dance.</li>
<li>If you are unsure of the content of a performance, visit the company&#8217;s website and look for production notes on current or upcoming projects. Call or email the box office or venue office and ask questions. As a last resort you may try sending a brief e-mail inquiry to the contact address provided at the company&#8217;s website. In all cases be polite and be sure that you&#8217;ve at least attempted to research the work yourself. If age appropriateness is a concern, it is okay to ask if there might be anything within the performance that could be considered unsuitable (more on this below) for students ages ___ to ___.</li>
<li>Search YouTube or try a Google video search for the artist/company name or the work itself. Many artists also have video at their website. What better way to preview a work than to see some of it!</li>
</ul>
<p style="text-align: justify;"><strong></strong></p>
<div id="attachment_2037" class="wp-caption alignleft" style="width: 252px"><strong><strong><a href="http://www.artsvivants.ca/en/dan/mediatheque/videos/videosDetails.asp?mediaID=462"><img class="size-medium wp-image-2037" title="A Very Dangerous Pastime" src="http://danceadvantage.net/wp-content/uploads/2009/04/picture-4-300x235.png" alt="Click here to visit the ArtsAlive website where you can view this humerous and informative video." width="242" height="189" /></a></strong></strong><p class="wp-caption-text">Click here to visit the ArtsAlive website where you can view this humerous and informative video.</p></div>
<p style="text-align: justify;"><span style="color: #008000;"><strong>Recognize and share with students that generally contemporary dance choreographers do not aim to express a &#8220;message&#8221; that the audience will need to decode.</strong></span> Like other forms of contemporary art, the role of an audience member is to participate by observing and experiencing. What each person takes away from or sees in the work will vary. There are no wrong answers! I recommend viewing and sharing this <a href="http://www.artsvivants.ca/en/dan/mediatheque/videos/videosDetails.asp?mediaID=462">14-minute video found at ArtsAlive</a>. Featuring Canadian athletes and actors, including Grey&#8217;s Anatomy star Sandra Oh, the video is designed to show that we all have an innate ability to relate to and appreciate dance.</p>
<p style="text-align: justify;"><span style="color: #008000;"><strong>Negative Responses</strong></span> &#8212; Because everyone interprets dance differently, know that occasionally, and despite all best efforts, some student or parent may see something inappropriate or take offense to the material. Preparing students and parents for what they might see can sometimes improve or soften negative reactions. Rarely, have I ever seen anything worse on stage than what one might see in a PG-13 movie. However, viewers invest themselves in a live performance in a way they would not when viewing something on screen, enhancing the emotions and reality surrounding certain situations. This is why seeing live dance (or theatre) is a unique and important experience but also why there is an increased chance of complaints or concerns. Provide opportunities to debrief following any live performance. Allowing participants to calmly and openly discuss their reactions to the dance provides a forum to digest, rather than stew over, a particularly evocative or displeasing work.</p>
<p style="text-align: justify;"><span style="color: #008000;"><strong>Embrace the challenge!</strong></span> Art may at times invite us to look at something in a new way or shine light on aspects of life, or humanity that make us uncomfortable. Occasionally, the movement or the way it is presented may seem strange, disconcerting, and unfamiliar. I can&#8217;t guarantee you&#8217;ll like everything about the performance you attend. It may not be your personal preference or you may simply need further time, exposure, or discussion about what you&#8217;ve seen to interpret and appreciate it. After all, many people don&#8217;t particularly enjoy coffee the first time they taste it! Experience is a great teacher. The more you see, the more connections you&#8217;ll make. You won&#8217;t feel intimidated going to see what some may consider &#8220;high art&#8221; because you&#8217;ll recognize its relationship to the other performances you&#8217;ve seen. And, you know what? Seeing all this dance, in person, will make you a more aware and inspired performer yourself.</p>
<p style="text-align: justify;"><strong><em>If you can&#8217;t see live dance this week, be sure to check out some of the other </em><a href="http://www.nationaldanceweek.org/n_events.htm">National Dance Week</a><em><a href="http://www.nationaldanceweek.org/n_events.htm"> events </a>happening in your area. Don&#8217;t see something listed? <a href="http://www.nationaldanceweek.org/n_dele.htm">Contact a local delegate</a>, or find your own unique way to highlight or recognize dance art in your studio, school, or community.</em></strong></p>
<p style="text-align: justify;"><span style="color: #ff0000;"><em><strong>Participating or organizing an event this week? Big or small, we want to hear about it! Share your NDW experience in the comments below.</strong></em></span></p>
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<p><small>© Nichelle Strzepek for <a href="http://danceadvantage.net">Dance Advantage</a>, 2009. |
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		<title>Why Superstars of Dance Was Not So Super</title>
		<link>http://danceadvantage.net/2009/01/08/superstars-of-dance/</link>
		<comments>http://danceadvantage.net/2009/01/08/superstars-of-dance/#comments</comments>
		<pubDate>Thu, 08 Jan 2009 08:29:01 +0000</pubDate>
		<dc:creator>Nichelle (admin)</dc:creator>
				<category><![CDATA[Beyond the Bubble]]></category>
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		<description><![CDATA[I am not an avid viewer of reality television and ultimately this holds true for reality dance competitions as well. I watch a bit if I happen across a show while channel surfing, and I occasionally check out some of the offerings on YouTube. But, for the most part, they fail to hold my interest. [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align:justify;">I am not an avid viewer of reality television and ultimately this holds true for reality dance competitions as well. I watch a bit if I happen across a show while channel surfing, and I occasionally check out some of the offerings on YouTube. But, for the most part, they fail to hold my interest. I do understand their appeal and why audiences are rabid about their favorites, I just don&#8217;t share the enthusiasm.</p>
<p style="text-align:justify;">The platform, however, has brought about a renewed interest in dance that can&#8217;t be argued. What has been debated is whether this is good or bad for the dance world, and I suppose this depends on your perspective. (That&#8217;s another post, altogether). Some professional companies do seem to be benefiting from their exposure on television. Take this quote from a <a href="http://www.nctimes.com/articles/2008/08/23/lifeandtimes/zd54b2e715aa63783882574a6007a7390.txt">California newspaper</a> for example:</p>
<blockquote>
<p style="text-align:justify;"><span style="color:#800080;">Just ask the Alvin Ailey American Dance Theater. The New York-based company performed live on &#8220;Dancing With the Stars&#8221; and &#8220;So You Think You Can Dance,&#8221; and director Yvette Campbell said the dancers were treated with the utmost respect. Twenty million viewers watched the performance, about as much as has seen the respected company perform in its 50 years in existence. And when the company did its normal tour, seats were packed.</span></p>
</blockquote>
<p style="text-align:justify;">Actually, this is why, when news of NBC&#8217;s latest offering, <em>Superstars of Dance</em>, reached me, my interest was sufficiently piqued. What made me curious was the word that this show would be highlighting renowned dancers from different disciplines and different countries. I saw this as the next logical step and a great opportunity to begin transforming and deepening the general public&#8217;s (and for that matter, young dancers&#8217;) interest in dance as a performance art. As a company with great theatrical appeal, the Ailey company were perhaps the perfect company for getting people off their couches and into a theatre. The results they experienced after going &#8220;mainstream&#8221; into the homes of viewers offered encouragement that other dance artists could also inspire viewers to make this leap.</p>
<p style="text-align:center;">
<p><a href="http://www.youtube.com/watch?v=-lq4V6pv_5s">http://www.youtube.com/watch?v=-lq4V6pv_5s</a></p>
<p><a href="http://www.youtube.com/watch?v=-lq4V6pv_5s"><img src="http://img.youtube.com/vi/-lq4V6pv_5s/default.jpg" width="130" height="97" border=0></a></p>
</p>
<h3 style="text-align:justify;"><span style="color:#800080;">Great Expectations</span></h3>
<p style="text-align:justify;">My hope for <em>Superstars</em> was that it would prepare viewers for a wider variety of dance, offer them the tools to watch and understand the dances of different cultures and of different sensibilities. It was my wish that this would finally be the segue between Great Performances and SoYouThinkYou&#8217;reAmerica&#8217;sBest- DancingStarsearchIdol. I wanted something that would give us the &#8220;personalities&#8221; that inspire a following, a good look behind the scenes of professional dance, a showcase of dancers and companies producing compelling and exceptional work, and for once, a reality show that wouldn&#8217;t underestimate the ability of its audience to think for itself or appreciate art.</p>
<p style="text-align:justify;">Perhaps I <em>expected</em> too much, especially from a show called <em>Superstars of Dance</em>. But, I don&#8217;t think it is too much to <em>ask</em>. It may have a lot to do with getting the right people involved in a project that will up the ante but, I can&#8217;t think of a better time than right now, when the public is ripe for more than just another dance competition show, to present such a project. I guess I see the renewed popularity of dance as a form of currency that those with influence could be using to <strong>showcase dance <em>at its best</em></strong>. I keep going back to the idea that <a href="http://danceadvantage.net/2008/04/17/fostering-dance-artistry/">people generally rise to your expectations if you give them the tools and opportunity to do so</a>. In the realm of dance made for television, the audience is given very little credit. They are rarely asked or challenged to appreciate anything too very far from what they know or have experienced.</p>
<h3 style="text-align:justify;"><span style="color:#800080;"><strong>So, what <em>did</em> we get with <em>Superstars of Dance</em>?</strong></span></h3>
<p style="text-align:justify;">Well, despite <a href="http://www.tvguide.com/News/Ratings-Superstars-Dance-1001260.aspx">seemingly good ratings,</a> the show has not been well received by those writing about it online. Dancers and non-dancers alike found the premise and execution of comparing and scoring vastly different dance forms, senseless. There were complaints about the level of dancing displayed by those billed to be &#8220;the best in the world,&#8221; about the glitzy production, and annoying camera angles. Honestly, I have little to add to what&#8217;s been written and have done a bit of commenting on <a href="http://twitter.com/danceadvantage">twitter</a> and on some of the blogs that have already covered the show. I want to note that, even among the dance bloggers in this list, each author here has a vastly different background and emphasis, yet most had similar feelings about this show. You can read the reviews for yourself, they vary in intensity of hatred&#8230;</p>
<ul>
<li><a href="http://atimetodance.wordpress.com/2009/01/05/superstars-of-dance-a-disappointment/">Superstars of Dance a Disappointment</a> &#8211; A Time to Dance (scroll down to see comments on this post)</li>
<li><a href="http://www.danceoutlook.com/2009/01/superstars-total-flop.html">&#8220;Superstars&#8221; a total flop</a> &#8211; Dance Outlook</li>
<li><a href="http://www.tonyaplank.com/swan_lake_samba_girl/2009/01/05/superstars-night-2/">Superstars Night 2</a> &#8211; Swan Lake Samba Girl</li>
<li><a href="http://blog.tendu.tv/2009/01/07/supersuck-of-dance/">Supersuck of Dance</a> &#8211; TenduTV</li>
<li><a href="http://popwatch.ew.com/popwatch/2009/01/superstars-danc.html">&#8216;Superstars of Dance&#8217; premier: Just&#8230;WHY?</a> &#8211; Entertainment Weekly</li>
<li><a href="http://www.washingtonpost.com/wp-dyn/content/article/2009/01/05/AR2009010501199.html">Puttin&#8217; On the Glitz</a> &#8211; Washington Post</li>
<li><a href="http://www.givememyremote.com/remote/superstars-of-dance-misses-the-point/">Superstars of Dance Misses the Point</a> &#8211; Give Me My Remote</li>
<li><a href="http://www.hitfix.com/blogs/2008-12-6-the-fien-print/posts/2009-1-5-tv-review-superstars-of-dance">TV Review: Superstars of Dance</a> &#8211; HitFix</li>
</ul>
<h3><span style="color:#800080;">Conclusion</span></h3>
<p style="text-align:justify;"><em>Superstars of Dance</em> was far from super. The show did highlight some good performances, and some interesting spectacle, but fell quite short of its super-sized claims. For this reason, and because I think it patronizes viewers with lots of flash, little substance, and sugar-coating (to make the dance go down easier), it has ignited negative feedback. If for some reason you&#8217;ve recorded and not watched the show yet, I recommend heavy use of the fast-forward button. Skip every bit of judging and inane commentary and just watch the dancing. It is <em>not</em> the best the world has to offer. For now, you&#8217;ll probably have to get off your couch to see that.</p>
<p style="text-align:justify;"><strong><span style="color:#ff0000;">POST UPDATE &#8211; 1/30/09</span></strong></p>
<p style="text-align:justify;">I wrote this recently on <a href="http://ballroomdancechannel.wordpress.com/2009/01/28/superstars-of-dance-where-did-it-go-so-horribly-wrong/#comment-53">another blog</a>, and felt it was good summary/re-cap of my thoughts on this show.</p>
<blockquote>
<p style="text-align:justify;">My feelings on the show are similar &#8211; it definitely fell short. I wanted to point out that while in our culture dance seems more clearly defined as separate from other arts, in some cultural traditions dance is, in a sense, synonymous with things like storytelling, music, and martial arts. So from our “western” perspective of dance, yes, this term was used loosely but I just wanted to point out that that would not necessarily be so in other cultures. HOWEVER, one of this show’s many shortcomings is that it offered no real opportunity for understanding or explanation of the dance forms presented. For a show which many thought was supposed to be a sharing and celebration of dance around the world, this was a major oversight. This ties in with my disappointment that producers chose to make this some sort of strange competition between apples and oranges, rather than truly sharing and celebrating diverse dance forms.</p>
<p style="text-align:justify;">I also felt that many of the acts (not all, but many) chosen were highly theatricalized versions of the dance forms/cultures they represented. It was obvious they were picked not for the value they brought to the competition, not for enriching televised dance with a spectrum of great dance, but were selected according to someone’s preconceived idea of what a television audience might find “likeable.” It seemed almost a desperate attempt at a “sure thing,” in fact. I hope that the producers walk away from this (and maybe go back to the drawing board) knowing that their audience isn’t necessarily as fickle as they think.</p>
<p style="text-align:justify;">Can Superstars be saved? Not in its present form (or anything like it), but I do think it is possible to have a program on television that actually DOES share and celebrate dance on a global scale.</p>
</blockquote>
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<p><small>© Nichelle Strzepek for <a href="http://danceadvantage.net">Dance Advantage</a>, 2009. |
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