Giving students, teachers, and parents an edge in dance education
Music educator, composer, philanthropist, and youtube sensation, John Jacobson has choreographed for “mobs” of dancers, including the staff and crew of the Ellen DeGeneres show. Get John’s tips on how to stage your own flashmob and learn more about his true life’s work and positive message.
Manage your dance studio inbox with time-saving tips that strengthen your communication with parents and streamline your business, leaving more time for the things you love (like dancing and teaching).
Time to circle up! 12 bloggers have gathered in our circle to share their posts on setting goals. Learn new strategies, try the tips, and check in with your own goal-setting methods and resolve. A perfect time to re-focus your energy on meeting objectives, both big and small.
Would you like to manage your office remotely, improve intercommunication, and more easily process tuition, gather feedback, and market your dance studio? If so, give these 5 tools (many of them free) a try.
The ways movement is inspired, how it is developed, edited, and finally presented is a process. Concert dance is all about the intent and the journey, which lead to the product. If this idea is new to you, here is a ten-step list of how to engage in a process from K-12 teacher, Heather Vaughan-Southard.
Tired of the noise coming from your dance studio lobby or viewing area disrupting your classes? You’re not alone! Ranging from traditional to creative, here are suggestions for keeping parents, students, siblings – did I say parents? – occupied or motivated to stay quiet. Try them out and see what works for you.
Everyone is nervous on the first day of a new class but it can be especially hard for young dancers. This article is packed with great tips for teachers as Stacey Pepper Schwartz shares her methods for easing the anxieties of the children in her classes as well as how she addresses a crying, timid, or non-participating child.
Summers away from home can be stressful. In a second installment on surviving summer intensives, Alison offers advice for dealing with complications like dance divas and messy roommates, and how to handle yourself professionally and with grace when receiving placement in a class level.
Cluttered studio? Suzanne Gerety offers tips on how to maximize the space you have, increase efficiency, and ultimately save money at your studio. This will help you tackle that problem of digging and searching in the abyss for those sparkly star wands or parasols you know you bought a couple of years back when it comes time to plan your camps or set a piece of choreography with props.
Before your big performance day (and after), add some informal performances to your schedule. Not only is it good practice and experience for your students, it’s great advertising, and most importantly, a wonderful gift to the community. Stacey suggests ways to encourage parent involvement and how to make the most of your outreach come recital time.
ballet dancer’s makeup should accentuate and enhance the NATURAL three dimensional shape of the eye. This allows the audience to follow the ballerina’s gaze. As her eyes and head follow through each position of her dance the audience needs to know if her eyes are open, closed, looking in a certain direction or at a specific character.
Does Your Devil Wear Dancewear? Dealing With A Rude Coworker
Like Anne Hathaway’s character in The Devil Wears Prada, you may occasionally find yourself working with an Emily: someone rude, intimidating, undermining, or downright mean. Learn how to stand up for yourself and be worthy of the respect you want and deserve. And if it’s time to address the issue with your employer, discover how to make your approach like the professional you are.