Giving students, teachers, and parents an edge in dance education
A recent TEDxBrussels Talk by John Bohannon reminds us of the usefulness of movement to express complex concepts or explore and understand scientific ideas while making a satirical statement about the state of the arts in the United States. Watch and learn more about the presentation and its creators.
The Worldstudio AIGA scholarship program, which aims to increase diversity in the creative professions, is an excellent opportunity for minority and economically disadvantaged dancers. Each year, AIGA provides scholarships ranging from $200 to $2,000, which are based on need, merit, and applicants’ demonstrated activism in social justice issues. The scholarships are available to students who are or will be enrolled in a full-time 4-year undergraduate degree program studying dance or other fine arts.
There are many graduate programs that take traditional art areas and tailor them to specific career goals and interests. For instance, there are programs in Dance Education, Dance Performance, Acting, Directing, Television Studio Management, Music Production and Arts Administration. Think creatively when deciding what to get your Master’s degree in. There are endless creative possibilities waiting for you!
The line-up of dance artists, master teachers, and presenters. Every single one has contributed so much to the dance world and to dance training. Legends and long-time educators like Frank Hatchett, David Howard, Bill Evans, Finis Jhung, Zena Rommett, Denise Wall and my former professor at Slippery Rock University, Thom Cobb. Plus luminaries like Sean Curran, Mandy Moore, Travis Wall, Mike Minery, and Andy Blankenbuehler.
Since dance is the art of motion, in order to become a proficient dancer one must understand how the body moves from the inside; how the muscles and bones work to leap, turn, kick, stretch and fold. A pretty sophisticated idea for a young dancer. Since learning is a layered experience, introducing the concepts of anatomy now will allow them to build upon this foundation in the future.
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A simple series for building arm endurance and strength. Easy to remember, this is a little something you can keep in your “back pocket.” It’s also versatile – make additions, increase repetitions, or add hand weights when it becomes too easy.
Experience and exposure in a variety of dance styles is important for creating versatile dancers and may even be a necessity for aspiring professionals. Being well-rounded in dance is a good thing. Exposure to different dance forms, starting at a young age, is a great thing. So where’s the myth? It lies in the misplaced emphasis on experience and omission of training.
Most dancers (especially American dancers) are trained in ambiguous combinations of techniques that generally come from whatever their teachers learned from their teachers. The fabulous thing about this program is that there is no ambiguity. There are answers for everything, no shades of gray, and very little room for interpretation. Since some of the greatest dancers in history passed through Cecchetti’s own hands, he was obviously doing something right.
[VIDEO] A simple exercise for dance students to do while sitting around. “Toe Sit-ups” encourage awareness and articulation of (or working through) the foot for tendu and pointing. They also strengthen the plantar flexors for pointe work, stability and balance, cushioning landings, and giving power to jumps.
When a parent doesn’t have a clear path to direct a concern, they will go and find just about anyone that will listen to them. From the first moment a student registers at our dance studio we let them know that we are more than open to receiving their feedback and we show them where we keep
As I begin my third year of blogging, I recognize that what I really want is to give you what you need. It’s a funny thing about leadership, that it demands the willingness of both “followers” and leaders to be led by the other. But I don’t really like the word followers. I’m not looking for disciples, devotees, or minions, but compatriots. Fellows not followers.
Musical creativity (or musical artistry) is the ability to connect with accompanying music, interpret it, or phrase and add movement dynamics that relate to music even in the absence of accompaniment, in a way that is unique or interesting. Musicality in dance then might be considered a measure or degree to which a dancer is receptive and creative in his translation or rendering of music through movement.
