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		<title>More Than A Prop: Object As Performer</title>
		<link>http://danceadvantage.net/2012/01/23/object-as-performer/</link>
		<comments>http://danceadvantage.net/2012/01/23/object-as-performer/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 17:00:15 +0000</pubDate>
		<dc:creator>Guest Contributors</dc:creator>
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		<guid isPermaLink="false">http://danceadvantage.net/?p=14192</guid>
		<description><![CDATA[Sarah Dahnke is a New York dancer and choreographer who frequently incorporates props in her work. She shares a spectacular exercise to generate movement and use objects as part of the process as well as details about her latest project, Object as Performer.]]></description>
			<content:encoded><![CDATA[<p>Objects have played an integral role in all types of performance, from an actor with a prop to a conductor with a baton.</p>
<p><strong>Each situation would be drastically modified without the presence of such an object.</strong></p>
<div id="attachment_14194" class="wp-caption alignright" style="width: 143px"><img class="size-medium wp-image-14194" title="Abigail Levine - Slow Falls" src="http://danceadvantage.net/wp-content/uploads/2012/01/013IMG_4893-133x200.jpg" alt="IMAGE Abigail Levine, Slow Falls IMAGE" width="133" height="200" /><p class="wp-caption-text">Abigail Levine, &quot;Slow Falls&quot;</p></div>
<p>Often, though, it’s easy to disregard the inanimate object and focus on the human performer. It’s only natural to notice a person performing.</p>
<p><strong>But what about the object? Even though it doesn’t have a personality, does it still have the ability to perform or at least assist a performance?</strong></p>
<p>When I work in the studio as a choreographer, sometimes I utilize objects as part of my creative process. I gravitate toward chairs because they are easily accessible and usually located in any rehearsal space.</p>
<p>Sometimes I work with a theme, such as in this project <a title="9 Ways To Use The Body as a Bridge" href="http://sarahdahnke.com/?p=10" target="_blank"><strong>Nine Ways to Use the Body as a Bridge</strong></a> and other times just let the object dictate how I will shape my body, such as in this short study “Duet with Chair #2.”(...)<br/><br>
Continue reading <strong>"<a href="http://danceadvantage.net/2012/01/23/object-as-performer/">More Than A Prop: Object As Performer</a>"</strong>
<br><br>
<b><a href="http://danceadvantage.net/2012/01/23/object-as-performer/#comments">3 comments</a></b></p>
<hr />
<p><small>© Guest Contributors  for <a href="http://danceadvantage.net">Dance Advantage</a>, 2012. |
<a href="http://danceadvantage.net/2012/01/23/object-as-performer/">Permalink</a> | Category: <a href="http://danceadvantage.net/category/the-dance-world/" title="View all posts in Beyond the Bubble" rel="category tag">Beyond the Bubble</a>, <a href="http://danceadvantage.net/category/blog/" title="View all posts in Blog" rel="category tag">Blog</a>, <a href="http://danceadvantage.net/category/choreographing/" title="View all posts in Choreographing" rel="category tag">Choreographing</a>, <a href="http://danceadvantage.net/category/the-dance-world/community-the-dance-world/" title="View all posts in Community" rel="category tag">Community</a>, <a href="http://danceadvantage.net/category/the-dance-world/news-and-events/" title="View all posts in News and Events" rel="category tag">News and Events</a>  |  <a href="http://www.google.com/blogsearch?hl=en&q=http://danceadvantage.net/2012/01/23/object-as-performer/" title="Linking blogs to this article, on Google"><em>Who's talking about this article?</em><strong></a> </small></p>
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<p>Get free updates PLUS access to additional content, tips, and more. <a href="http://eepurl.com/fb5M"><img src="http://danceadvantage.net/wp-content/uploads/2010/06/DA-SubPlus-468x60.jpeg"><strong>Get Subscriber PLUS</strong>.</a></p>]]></content:encoded>
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		<title>Terpsichorus: Discussing Entity &#8212; Wayne McGregor/Random Dance</title>
		<link>http://danceadvantage.net/2011/02/24/entity/</link>
		<comments>http://danceadvantage.net/2011/02/24/entity/#comments</comments>
		<pubDate>Thu, 24 Feb 2011 15:30:51 +0000</pubDate>
		<dc:creator>Nichelle (admin)</dc:creator>
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		<guid isPermaLink="false">http://danceadvantage.net/?p=10111</guid>
		<description><![CDATA[Terpsichorus means to delight in dance and is an open group event to encourage conversation and commentary on dance film, video, or books. Join us in our premiere discussion of the film and dance work Entity (Wayne McGregor/Random Dance). All are welcome. Join anytime!]]></description>
			<content:encoded><![CDATA[<div id="attachment_9957" class="wp-caption alignright" style="width: 260px"><a href="http://danceadvantage.net/2011/02/07/delight-in-dance/"><img class="size-full wp-image-9957" title="Terpsichorus_button" src="http://danceadvantage.net/wp-content/uploads/2011/02/Terpsichorus_button.jpeg" alt="IMAGE Delight in Dance - Terpsichorus IMAGE" width="250" height="80" /></a><p class="wp-caption-text">Click the button to find out more about the idea behind Terpsichorus</p></div>
<h4>Welcome to our first Terpsichorus discussion!</h4>
<p>If you haven&#8217;t yet watched the film, don&#8217;t panic! You can still download and watch the film at the locations below. Feel free to come back and add your thoughts, questions, or comments after you do. The discussion will remain open indefinitely (I may close comments eventually but not for a while!).</p>
<table style="align: center;">
<tbody>
<tr style="text-align: center;">
<td><a href="http://click.linksynergy.com/fs-bin/stat?id=0JIRKaVkHsw&amp;offerid=146261&amp;type=3&amp;subid=0&amp;tmpid=1826&amp;RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Fmovie%252Fentity%252Fid408811385%253Fuo%253D4%2526partnerId%253D30"><img class="alignnone" style="border: 0pt none;" src="http://ax.phobos.apple.com.edgesuite.net/images/web/linkmaker/badge_itunes-lrg.gif" alt="Click to download on iTunes" width="110" height="40" /></a></td>
<td><a href="http://www.amazon.com/gp/product/B004KCMAXO?ie=UTF8&amp;tag=danceadvan-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B004KCMAXO"><img class="alignnone" src="http://danceadvantage.net/wp-content/uploads/2011/02/Amazon_Button.png" alt="" width="120" height="50" /></a><img style="border: none !important; margin: 0px !important;" src="http://www.assoc-amazon.com/e/ir?t=danceadvan-20&amp;l=as2&amp;o=1&amp;a=B004KCMAXO" border="0" alt="" width="1" height="1" /></td>
<td><a href="http://www.cinemanow.com/Rent/Movies/10471,0,5,,1,4,0/1000,0,5,,1,4,401601/Wayne-McGregor-|-Random-Dance-Entity.htm"><img class="alignnone size-full wp-image-10166" title="cinemanow" src="http://danceadvantage.net/wp-content/uploads/2011/02/cinemanow1.jpg" alt="IMAGE BestBuy - CinemaNow IMAGE" width="100" height="100" /></a></td>
</tr>
</tbody>
</table>
<h6><strong>Look out below</strong></h6>
<p>I&#8217;ve posted some flash responses offered during preliminary email discussion between <a title="About Steve" href="http://youdancefunny.wordpress.com/about/" target="_blank">Steve</a>, <a title="About Robin (and her top three ballet books for teachers)" href="http://danceadvantage.net/2010/05/29/books-for-ballet-teachers/">Robin</a>, and myself (<a title="About Nichelle" href="http://danceadvantage.net/about/">Nichelle</a>). These are just to stir some conversation. You can comment on any of our comments!</p>
<p>Also, you&#8217;ll find some viewing prompts. These are open questions that you can choose to answer or not. If you find you&#8217;re at a loss for words, these may be good starting points.</p>
<p><em><strong>Note</strong>: I am roughly considering Part I, anything that occurs before the big set change, and of course, Part II anything after it.</em></p>
<p>An extended list of viewing prompts, should you want to watch with it in front of you, is available <a title="Entity Viewing Prompts (pdf)" href="http://danceadvantage.net/wp-content/uploads/2011/02/Entity_Prompts.pdf">here</a>.</p>
<h6><strong>Spread the word</strong></h6>
<p>Don&#8217;t forget to invite and share with friends. If you&#8217;re on Twitter or Facebook, use the sharing buttons above (on the site). Include the <strong>#terpsichorus</strong> hashtag on Twitter, if you would! If you follow our pages on Facebook you can tag us with @Dance Advantage or @You Dance Funny in a status update and let use know you&#8217;re watching.</p>
<p style="text-align: center;"><strong><a title="You Dance Funny on Twitter" href="http://twitter.com/youdancefunny" target="_blank">Steve on Twitter</a> | <a title="@danceadvantage on Twitter" href="http://twitter.com/danceadvantage" target="_blank">Nichelle on Twitter</a> | <a title="Robin on Twitter" href="http://twitter.com/mahrobi" target="_blank">Robin on Twitter</a></strong></p>
<p style="text-align: center;"><strong><a title="You Dance Funny on Facebook" href="http://www.facebook.com/youdancefunny" target="_blank">You Dance Funny on Facebook</a> | <a title="DA on Facebook" href="http://www.facebook.com/danceadvantage" target="_blank">Dance Advantage on Facebook</a></strong></p>
<h4><strong>The Movement</strong></h4>
<p><img class="alignright size-large wp-image-8652" title="Wayne McGregor | Random Dance - Entity" src="http://danceadvantage.net/wp-content/uploads/2010/11/ENTITY_CoverforTenduTVrev-266x400.jpg" alt="IMAGE Wayne McGregor | Random Dance's Entity IMAGE" width="266" height="400" />&#8220;Aesthetically, I find the vocabulary beautiful in its awkwardness&#8230; Occasionally something resonated on a human/emotional level but mostly I watched with interest from visual moment to moment.&#8221; &#8211; Nichelle</p>
<p>&#8220;I&#8217;m finding the movements get repetitive, they are much the same tempo throughout without any particular highs or lows. There is a bit in the early men&#8217;s section where one guy sort of crab walks backwards, partially supported by another guy, that i thought was awesome.&#8221; &#8211; Robin</p>
<p>&#8220;I found the patterned, more structured moments to be more pleasing  to watch, a theme that was sort of echoed in the geometric shapes cast  on the floor.&#8221; &#8211; Steve</p>
<p>&#8220;I felt like there were three main &#8220;modes&#8221; he was operating within the choreography. Don&#8217;t know if it&#8217;s true for his other work too? One, is fast, forceful, and angular. Two is very sinewy and sleek. Three is what  I&#8217;m dubbing &#8220;the pterodactyl&#8221; &#8211; hyperexteded spine, inward rotation,  bird-like. The mood, music, lighting, set, etc. had a lot of variety and  it was interesting how he used these &#8220;modes&#8221; throughout all of those  changes.&#8221; &#8211; Nichelle</p>
<blockquote><p><strong>List 3 adjectives describing McGregor’s movement vocabulary (or body of movements).</strong></p>
<p><strong>How would you describe the shift in mood, movement, and emotion that occurs with the change in costume, lighting, and music in Part II?</strong></p></blockquote>
<h4><strong>The Music, Sets, Costumes, &amp; Lighting</strong></h4>
<p>&#8220;I don&#8217;t enjoy the music!&#8230; I do think the dancers execute the movement brilliantly and they are all very beautiful but really, i am just not liking it.&#8221; &#8211; Robin</p>
<p>&#8220;I will say that MacGregor&#8217;s work is intense and he has a genius ability to visualize (and actualize!) incredibly innovative sets and choreography.&#8221; &#8211; Steve(...)<br/><br>
Continue reading <strong>"<a href="http://danceadvantage.net/2011/02/24/entity/">Terpsichorus: Discussing <i>Entity</i> &#8212; Wayne McGregor/Random Dance</a>"</strong>
<br><br>
<b><a href="http://danceadvantage.net/2011/02/24/entity/#comments">15 comments</a></b></p>
<hr />
<p><small>© Nichelle Strzepek for <a href="http://danceadvantage.net">Dance Advantage</a>, 2011. |
<a href="http://danceadvantage.net/2011/02/24/entity/">Permalink</a> | Category: <a href="http://danceadvantage.net/category/dance-life/genre/ballet-pointe/" title="View all posts in Ballet/Pointe" rel="category tag">Ballet/Pointe</a>, <a href="http://danceadvantage.net/category/the-dance-world/" title="View all posts in Beyond the Bubble" rel="category tag">Beyond the Bubble</a>, <a href="http://danceadvantage.net/category/blog/" title="View all posts in Blog" rel="category tag">Blog</a>, <a href="http://danceadvantage.net/category/the-dance-world/dance-companies-the-dance-world/" title="View all posts in Dance Companies" rel="category tag">Dance Companies</a>, <a href="http://danceadvantage.net/category/dance-life/media-resources/" title="View all posts in Dance Media" rel="category tag">Dance Media</a>, <a href="http://danceadvantage.net/category/dance-life/genre/" title="View all posts in Dance Styles" rel="category tag">Dance Styles</a>, <a href="http://danceadvantage.net/category/dance-life/" title="View all posts in Dancethropology" rel="category tag">Dancethropology</a>, <a href="http://danceadvantage.net/category/featured/" title="View all posts in Featured" rel="category tag">Featured</a>, <a href="http://danceadvantage.net/category/dance-life/media-resources/film-resources/" title="View all posts in Film/Video" rel="category tag">Film/Video</a>, <a href="http://danceadvantage.net/category/dance-life/genre/modern/" title="View all posts in Modern/Contemporary" rel="category tag">Modern/Contemporary</a>, <a href="http://danceadvantage.net/category/the-dance-world/news-and-events/" title="View all posts in News and Events" rel="category tag">News and Events</a>  |  <a href="http://www.google.com/blogsearch?hl=en&q=http://danceadvantage.net/2011/02/24/entity/" title="Linking blogs to this article, on Google"><em>Who's talking about this article?</em><strong></a> </small></p>
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		<title>Delight in Dance With Us!</title>
		<link>http://danceadvantage.net/2011/02/07/delight-in-dance/</link>
		<comments>http://danceadvantage.net/2011/02/07/delight-in-dance/#comments</comments>
		<pubDate>Mon, 07 Feb 2011 14:30:44 +0000</pubDate>
		<dc:creator>Nichelle (admin)</dc:creator>
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		<guid isPermaLink="false">http://danceadvantage.net/?p=9951</guid>
		<description><![CDATA[In Greek mythology Terpsichore is the muse of lyrical poetry and dance but the word more literally means, "delighting in dancing".  You might also know that a Greek chorus is a group of performers who comment on the action within a play. Terpsichorus is a new dance discussion project - a collaborative effort between Dance Advantage and others to talk about performance film, documentaries, and books. Get details on our first selection up for discussion, Wayne McGregor's Entity.]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.flickr.com/photos/simon_cocks/4867695239/"><img class="alignright size-medium wp-image-9960" title="Reading a book at the beach" src="http://danceadvantage.net/wp-content/uploads/2011/02/reading_book_beach-266x200.jpg" alt="IMAGE Reading a book at the beach IMAGE" width="266" height="200" /></a>I delight in reading fiction. It&#8217;s my quiet retreat but, a couple of years ago I was stuck in a reading rut. My recent reads at the time were by J.K. Rowling and Stephenie Meyer and to my dismay I realized it had been a while since I had tried a new author, in or outside the YA niche! What did I do to get out of my rut, try new things, and discover new writers?</p>
<p><strong>I joined a book club.</strong></p>
<p>Obviously, dance is something else that I delight in and I&#8217;ve been spending some time thinking about how I might bring some dance art discussion to DA&#8217;s other educational offerings. Reading dance books and biographies was definitely a first thought but past experiences, like chatting live during a Misnomer Dance Theatre performance in 2008, seeing the encouraging level of participation recently during PNB&#8217;s Internet broadcast of Giselle, and the increased availability of <a title="Wall Street Journal - The Lowdown on Arts Downloading" href="http://online.wsj.com/article/SB10001424052748703398504576100052641855870.html" target="_blank">downloadable dance performanc</a>e by <a title="Arts Ambassador for the Future" href="http://www.huffingtonpost.com/jennifer-edwards/tendu-tv-arts-ambassador-_b_813840.html" target="_blank">&#8220;arts ambassadors for the future,&#8221; <strong>TenduTV</strong></a>, inspire me to consider video as well.</p>
<p>What I like about the email book club I joined is its accessibility. Within the group there are a wide range of ages (though admittedly lopsided in gender) and quite a range of literary interests. Some read and discuss more critically than others. Some clearly enjoy certain genres more than others. But somehow everyone feels free to join in and discover new things in the process.</p>
<p><a href="http://danceadvantage.net/wp-content/uploads/2011/02/Terpsichorus_button.jpeg"><img class="alignright size-full wp-image-9957" title="Terpsichorus_button" src="http://danceadvantage.net/wp-content/uploads/2011/02/Terpsichorus_button.jpeg" alt="IMAGE Delight in Dance - Terpsichorus IMAGE" width="250" height="80" /></a>In that spirit, I&#8217;d like to introduce to you, <strong>Terpsichorus. </strong></p>
<h4><strong>Delight in Dance</strong></h4>
<p><strong> </strong>In Greek mythology Terpsichore is the muse of lyrical poetry and dance but the word more literally means, &#8220;delighting in dancing&#8221;.  You might also know that a Greek chorus is a group of performers who comment on the action within a play.</p>
<p><strong>Terpsichorus</strong> is a dance discussion project. It&#8217;s still a work in progress &#8211; one that I hope will continue to define itself &#8211; but I&#8217;m joining up with a couple of pals to work together with me as this little venture comes into its own.</p>
<p>One of those pals is someone you may already know, <a title="You Dance Funny" href="http://youdancefunny.wordpress.com">You Dance Funny</a> writer and<a title="Winners of 2010 Top Dance Blog contest" href="http://danceadvantage.net/2011/01/03/top-blog-winners/"> Top Dance</a> blogger, <strong>Steve Ha</strong>. He definitely delights in discussion of dance performance. Another is long-time Dance Advantage friend and follower, <strong>Robin Mahboeb</strong>. She&#8217;s not a blogger but a dance teacher who we know <a title="Teacher's Top Three: Books for Ballet Teachers" href="http://danceadvantage.net/2010/05/29/books-for-ballet-teachers/" target="_blank">delights in a good dance book</a>.</p>
<h4><strong>One step at a time</strong></h4>
<p>The only way I know to begin is to just begin it!</p>
<p>Our first selection will be <strong>Entity</strong> by <strong>Wayne McGregor: Random Dance</strong>.</p>
<h6><strong>When we&#8217;ll open discussion.</strong></h6>
<p>Download/purchase and watch anytime&#8230; starting now. On <span style="font-size: larger;"><strong>February 24th(...)<br/><br>
Continue reading <strong>"<a href="http://danceadvantage.net/2011/02/07/delight-in-dance/">Delight in Dance With Us!</a>"</strong>
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<p><small>© Nichelle Strzepek for <a href="http://danceadvantage.net">Dance Advantage</a>, 2011. |
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		<title>National Dance Week &#8212; Live Dance Challenge</title>
		<link>http://danceadvantage.net/2009/04/26/ndw-challenge/</link>
		<comments>http://danceadvantage.net/2009/04/26/ndw-challenge/#comments</comments>
		<pubDate>Mon, 27 Apr 2009 03:31:46 +0000</pubDate>
		<dc:creator>Nichelle (admin)</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[audience]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[dance art]]></category>
		<category><![CDATA[live]]></category>
		<category><![CDATA[National Dance Week]]></category>
		<category><![CDATA[participate]]></category>
		<category><![CDATA[Performing]]></category>
		<category><![CDATA[television]]></category>

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		<description><![CDATA[I feel it is important to leave our homes and participate as members of the dance audience whenever possible! There is much to be learned from those making dance art and from the experience of absorbing and witnessing a wide range of movement vocabularies, aesthetics, and perspectives.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><strong><em></em></strong></p>
<div class="wp-caption alignleft" style="width: 217px"><strong><em><strong><em><a href="http://www.nationaldanceweek.org/"><img title="National Dance Week 2009" src="http://images.teamsugar.com/files/upl1/1/12981/17_2008/national-dance-week.jpg" alt="National Dance Week 2009" width="207" height="239" /></a></em></strong></em></strong><p class="wp-caption-text">National Dance Week 2009</p></div>
<p style="text-align: justify;"><strong><em>This week is <a href="http://www.nationaldanceweek.org">National Dance Week</a> in the United States! Given the mission or intent of this grass roots movement is to </em></strong><span class="style5"><strong><em>&#8220;bring greater recognition to dance as an art form,&#8221; I thought I&#8217;d take a moment to encourage dance teachers and students to attend (or plan to attend) a live dance performance this week.<br />
</em></strong></span></p>
<p style="font-size: 16px"><strong><span style="color: #ff0000;">Live Dance Challenge</span></strong></p>
<p style="text-align: justify;">Seeing dance live is a completely different experience than seeing it on television. In live performance you choose what to watch on stage, taking in the entire picture or letting the movement (rather than a camera) draw your attention. The energy between performers and the audience is palpable, making it a more exciting way to see dance. And, live performances showcase diverse dance  styles and dancers that you might not otherwise encounter.</p>
<p style="text-align: justify;">
<div class="wp-caption alignright" style="width: 241px"><a href="http://www.flickr.com/photos/simongroenewolt/13751268/"><img src="http://farm1.static.flickr.com/10/13751268_9565e3103a.jpg" alt="Photo by Simon Groenewolt" width="231" height="172" /></a><p class="wp-caption-text">Photo by Simon Groenewolt</p></div>
<p style="text-align: justify;">For all of us devoted to dance training and helping others develop a passion for dance, I feel it is important to leave our homes and participate as members of the dance audience whenever possible! There is much to be learned from those making dance art and from the experience of absorbing and witnessing a wide range of movement vocabularies, aesthetics, and perspectives. If you happen to be a regular attendee of dance concerts or professional performances, consider trying a style, artist, or company that is new to you, something that may even push the boundaries and definitions of dance itself!</p>
<p style="text-align: justify; font-size: 14px"><span style="color: #008000;"><strong>Obstacles</strong></span></p>
<p style="text-align: justify;"><span style="color: #008000;"><strong>Distance </strong></span>&#8211; I realize that for some, getting to a performance is tricky. There are studios without direct or nearby access to professional dance companies or venues for dance. However, most of you are probably within a day&#8217;s drive of a space that occasionally houses dance productions. Get on their mailing list! It would likely be exhilarating for a group of your dancers to make a special &#8220;field trip&#8221; once or twice a year with their fellow teachers and students to see live dance. For myself, having grown up in a small town three or four hours from any major city, these occasional excursions are counted among my most memorable dance experiences.</p>
<p style="text-align: justify;"><span style="color: #008000;"><strong>Uncertainty</strong></span> &#8212; Though distance or logistics may sometimes be a problem, often I feel it is uncertainty that deters even those interested in dance from attending live dance concerts, particularly contemporary dance works. This is understandable! It is sometimes hard to know what to expect from an unfamiliar or untested choreographer or dance troupe. Attending something familiar, like <em>The Nutcracker </em>or <em>Swan Lake</em> can be engaging and inspirational experiences, however learning to appreciate dance art requires exposure that spans the spectrum. Unpredictability can be intimidating. <em>Will I feel dumb if I don&#8217;t get what the artist is trying to say? Will there be images or situations that will make me or my students feel uncomfortable? Will it challenge what I believe about dance? Will I feel like I wasted my money?</em> These concerns are normal. <strong><span style="color: #008000;">Whether you are looking to ease the minds of parents or simply familiarize your students, here are a few things you can do to prepare for your dance experience:</span></strong></p>
<ul style="text-align: justify;">
<li>Look online for past reviews, previews, or essays that pertain to the dance artist or composition in question. More than just criticism of a work, reviews often provide some context with which to view the dance.</li>
<li>If you are unsure of the content of a performance, visit the company&#8217;s website and look for production notes on current or upcoming projects. Call or email the box office or venue office and ask questions. As a last resort you may try sending a brief e-mail inquiry to the contact address provided at the company&#8217;s website. In all cases be polite and be sure that you&#8217;ve at least attempted to research the work yourself. If age appropriateness is a concern, it is okay to ask if there might be anything within the performance that could be considered unsuitable (more on this below) for students ages ___ to ___.</li>
<li>Search YouTube or try a Google video search for the artist/company name or the work itself. Many artists also have video at their website. What better way to preview a work than to see some of it!</li>
</ul>
<p style="text-align: justify;"><strong></strong></p>
<div id="attachment_2037" class="wp-caption alignleft" style="width: 252px"><strong><strong><a href="http://www.artsvivants.ca/en/dan/mediatheque/videos/videosDetails.asp?mediaID=462"><img class="size-medium wp-image-2037" title="A Very Dangerous Pastime" src="http://danceadvantage.net/wp-content/uploads/2009/04/picture-4-300x235.png" alt="Click here to visit the ArtsAlive website where you can view this humerous and informative video." width="242" height="189" /></a></strong></strong><p class="wp-caption-text">Click here to visit the ArtsAlive website where you can view this humerous and informative video.</p></div>
<p style="text-align: justify;"><span style="color: #008000;"><strong>Recognize and share with students that generally contemporary dance choreographers do not aim to express a &#8220;message&#8221; that the audience will need to decode.</strong></span> Like other forms of contemporary art, the role of an audience member is to participate by observing and experiencing. What each person takes away from or sees in the work will vary. There are no wrong answers! I recommend viewing and sharing this <a href="http://www.artsvivants.ca/en/dan/mediatheque/videos/videosDetails.asp?mediaID=462">14-minute video found at ArtsAlive</a>. Featuring Canadian athletes and actors, including Grey&#8217;s Anatomy star Sandra Oh, the video is designed to show that we all have an innate ability to relate to and appreciate dance.</p>
<p style="text-align: justify;"><span style="color: #008000;"><strong>Negative Responses</strong></span> &#8212; Because everyone interprets dance differently, know that occasionally, and despite all best efforts, some student or parent may see something inappropriate or take offense to the material. Preparing students and parents for what they might see can sometimes improve or soften negative reactions. Rarely, have I ever seen anything worse on stage than what one might see in a PG-13 movie. However, viewers invest themselves in a live performance in a way they would not when viewing something on screen, enhancing the emotions and reality surrounding certain situations. This is why seeing live dance (or theatre) is a unique and important experience but also why there is an increased chance of complaints or concerns. Provide opportunities to debrief following any live performance. Allowing participants to calmly and openly discuss their reactions to the dance provides a forum to digest, rather than stew over, a particularly evocative or displeasing work.</p>
<p style="text-align: justify;"><span style="color: #008000;"><strong>Embrace the challenge!</strong></span> Art may at times invite us to look at something in a new way or shine light on aspects of life, or humanity that make us uncomfortable. Occasionally, the movement or the way it is presented may seem strange, disconcerting, and unfamiliar. I can&#8217;t guarantee you&#8217;ll like everything about the performance you attend. It may not be your personal preference or you may simply need further time, exposure, or discussion about what you&#8217;ve seen to interpret and appreciate it. After all, many people don&#8217;t particularly enjoy coffee the first time they taste it! Experience is a great teacher. The more you see, the more connections you&#8217;ll make. You won&#8217;t feel intimidated going to see what some may consider &#8220;high art&#8221; because you&#8217;ll recognize its relationship to the other performances you&#8217;ve seen. And, you know what? Seeing all this dance, in person, will make you a more aware and inspired performer yourself.</p>
<p style="text-align: justify;"><strong><em>If you can&#8217;t see live dance this week, be sure to check out some of the other </em><a href="http://www.nationaldanceweek.org/n_events.htm">National Dance Week</a><em><a href="http://www.nationaldanceweek.org/n_events.htm"> events </a>happening in your area. Don&#8217;t see something listed? <a href="http://www.nationaldanceweek.org/n_dele.htm">Contact a local delegate</a>, or find your own unique way to highlight or recognize dance art in your studio, school, or community.</em></strong></p>
<p style="text-align: justify;"><span style="color: #ff0000;"><em><strong>Participating or organizing an event this week? Big or small, we want to hear about it! Share your NDW experience in the comments below.</strong></em></span></p>
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