Giving students, teachers, and parents an edge in dance education
Foot Phrase is a section in the ballet A Pulse Stolen by Ted Seymour (see more in an interview and clips from A Pulse Stolen on YouTube), which had its world premiere on May 21, 2010. This section of the ballet is done in total darkness except for three sets of illuminated, moving feet.
I started blogging as a way to keep in touch with my family. Then I realized my family never read my blog so I changed the format to blog about a dancer’s life. I figured it would be a way to share my love for dance and the dance world in general to a broader audience. It’s important for me to promote dance any way I can.
Balancing any career with motherhood has its challenges but mother/dancers certainly face some unique concerns and questions. To produce a picture of what it is like for mothers who are also professional dancers, I spoke with two dancing moms, one a ballet dancer, one a contemporary dance artist and choreographer. In this first installment, we discuss pregnancy and what it is like to dance and perform while expecting.
Most dancers (especially American dancers) are trained in ambiguous combinations of techniques that generally come from whatever their teachers learned from their teachers. The fabulous thing about this program is that there is no ambiguity. There are answers for everything, no shades of gray, and very little room for interpretation. Since some of the greatest dancers in history passed through Cecchetti’s own hands, he was obviously doing something right.
Imagine the relatively light/easy press and bend of a paint brush that allows the painter to evenly distribute paint but still glide the brush smoothly. Imagine a layer of velvet or velour beneath your foot and enjoy the feeling of your foot moving through the plush carpet, leaving a trail in the fibers as the foot moves outward and returns. Imagine light or streaming air radiating from the hip and out through the toe, as well as upward and out through the top of the head.
Peninsula Ballet Theatre performs in venues throughout the California Bay Area including East Bay. In addition to performances, they educate both pre-professional and recreational students of dance via the PBT Conservatory of Dance. This photo is from PBT’s 2008 Nutcracker. The dancer, playing The Rose in The Waltz of the Flowers, is a company apprentice.
Bass resists a Cinderella telling and provides, with ample footage of Sy’s progress, an unflinching glance into the rigorous training and hard-won rewards of ballet. She also does not shy away from Sy’s inner conflict as a young man trying to reconcile two worlds, two cultures, and find his place within each.
Despite that the path is sometimes painful and frustrating with prolonged and hard-won rewards, young dancers spend much time and thought getting ready for pointe work. But how will your teacher decide if you are ready? Why might she decide you are not? And what can you expect if you are prepared to bear a pair of toe shoes?
Roslyn Bazzelle is a singer, songwriter, and practicing attorney. She is also a fitness instructor and creator of PIYOLET. PI – for Pilates. YO – for Yoga. LET as in Ballet. PIYOLET is a low impact fitness regimen for all ages, designed to diversify and keep the mind, body and soul refreshed and fit. Roz talks about PIYOLET, her DVD series, and gives away her product to three DA readers.
Battements, as they are practiced at the barre and in centre, are the foundation of many other movements in ballet (jumps and travelling steps such as assemblé, tour jeté, grand jeté, and so many more) and in other dance forms. It is necessary to have a solid grasp on the simplest forms in order to perform the others correctly.
When I received Amy’s question about pain in developpé below, my instinct was to help yet, I was not confident that I was fully equipped to assess what might be happening with Amy. So, I did what I would have for any student who had a problem I could not work out – I took her question to someone more knowledgeable than I – Deb Vogel, a neuromuscular educator and movement analyst who has been working with dancers for years.
