Giving students, teachers, and parents an edge in dance education
“The only thing new in dance is you.” A friend shared that quote from an Ohio University professor years ago and it has stuck with me. Every year I find myself chuckling to myself as I listen to kids claim movements as “their” choreography when really many are sampling from the limited palette of movement [...]
DanceStudioOwner.com would like to give away one boxed set of their super-cute, dance-themed Holiday Collection Note Cards to FIVE Dance Advantage readers. Simply comment to enter and you could be a winner. Plus learn a little greeting card trivia, when you visit!
Some lessons stay with us for life. In this installment of Ballet’s Un-X-pected Lesson Files, Melanie Doskocil talks about a particularly difficult rehearsal and the lesson mentor and choreographer, Alonzo King, taught her about limits and giving more when you think you’ve given it all.
ballet dancer’s makeup should accentuate and enhance the NATURAL three dimensional shape of the eye. This allows the audience to follow the ballerina’s gaze. As her eyes and head follow through each position of her dance the audience needs to know if her eyes are open, closed, looking in a certain direction or at a specific character.
Grosh would like to give away a backdrop rental (winner’s choice) valued up to $500 to ONE Dance Advantage reader. Just place a comment at this post, answering the question: If you were to win, which theme or specific Grosh backdrop would make your performance or event a success?
Tracy and the kind folks at Vonder Haar Center for the Performing Arts want to give away one Barre-Tender to three different Dance Advantage readers. Simply leave a comment describing your favorite stretch at the barre.
What to do and think for an improved second position de bras (of the arms), and the importance of proper alignment for creating the pictures we make with our bodies in dance.
“I realized that there were many girls that were my age that had just recently started ballet, and had to take class with a whole room full of girls who could do over-splits, triple pirouettes, and could lift their legs to their ears. I began looking at ballet blogs, and reading ballet books, but I could never find exactly what I was looking for. I felt like I needed 10 years of ballet training within a couple of weeks. Things like class etiquette, recital how-tos, and special stretches to boost my extension. I could only imagine that there were more girls like me looking for the same things.”
Hannah is a young photographer and dancer who has been featured on the Dance Advantage Sunday Snapshot before. She has a knack for finding unique locations and using them to feature her favorite subject, dancers. “Dance is what I love to do so naturally, I am most inspired to photograph dancers,” she says. And in case you are doubting, yes, the boat really is named the Dancer.
“I once took six months off from ballet when I was 14. My school commitments were growing and it was becoming seriously difficult to juggle everything. It reaffirmed for me, however, that ballet was my one love and out of everything what I should have been doing.”
According to Oliver Endahl, the photographer, the purpose of the Ballet Zaida photography project is to “educate and expose the public to ballet, as well as inspire the world through pictures.” A former ballet dancer himself, his work is definitely inspiring as well as inspired, featuring incredibly talented dancers in stunning locations. And there is just gallery after gallery of images – a visual feast.
Terpsichorus: Discussing Entity — Wayne McGregor/Random Dance
Terpsichorus means to delight in dance and is an open group event to encourage conversation and commentary on dance film, video, or books. Join us in our premiere discussion of the film and dance work Entity (Wayne McGregor/Random Dance). All are welcome. Join anytime!