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	<title>Dance Advantage &#187; attitude</title>
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		<title>The Successful SI: Class Placement and Coping With Problems</title>
		<link>http://danceadvantage.net/2011/08/04/placement-and-problems/</link>
		<comments>http://danceadvantage.net/2011/08/04/placement-and-problems/#comments</comments>
		<pubDate>Thu, 04 Aug 2011 13:47:57 +0000</pubDate>
		<dc:creator>Alison Shames</dc:creator>
				<category><![CDATA[Ballet/Pointe]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Dance Styles]]></category>
		<category><![CDATA[Dancing]]></category>
		<category><![CDATA[Summer Study/Workshops]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[attitude]]></category>
		<category><![CDATA[bad experiences]]></category>
		<category><![CDATA[ballet intensive]]></category>
		<category><![CDATA[class placement]]></category>
		<category><![CDATA[dance bullies]]></category>
		<category><![CDATA[dance divas]]></category>
		<category><![CDATA[dealing with homesickness]]></category>
		<category><![CDATA[feeling superior]]></category>
		<category><![CDATA[homesick]]></category>
		<category><![CDATA[how to]]></category>
		<category><![CDATA[injury complaints]]></category>
		<category><![CDATA[level placement]]></category>
		<category><![CDATA[messy roommate]]></category>
		<category><![CDATA[opportunity for growth]]></category>
		<category><![CDATA[outlook]]></category>
		<category><![CDATA[placement audition]]></category>
		<category><![CDATA[placement in level]]></category>
		<category><![CDATA[roommate issues]]></category>
		<category><![CDATA[rude dancers]]></category>
		<category><![CDATA[solutions to problems]]></category>
		<category><![CDATA[summer ballet program]]></category>
		<category><![CDATA[summer intensive]]></category>
		<category><![CDATA[summer program]]></category>
		<category><![CDATA[sustained an injury]]></category>
		<category><![CDATA[taking care of injuries]]></category>
		<category><![CDATA[trust your teachers]]></category>
		<category><![CDATA[what to do]]></category>

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		<description><![CDATA[Summers away from home can be stressful. In a second installment on surviving summer intensives, Alison offers advice for dealing with complications like dance divas and messy roommates, and how to handle yourself professionally and with grace when receiving placement in a class level.]]></description>
			<content:encoded><![CDATA[<h5><strong>Summers away from home can be stressful.</strong></h5>
<p>In <a title="The Successful SI: Home Away From Home" href="http://danceadvantage.net/2011/08/02/successful-summer">Part I &#8211; <strong>Home Away From Home</strong></a>, I shared my tips for how to prepare, handle fears, make friends, and practice respect throughout your summer dance experience.</p>
<p>Now I&#8217;ll offer some thoughts on dealing with the possible complications that can arise during an intensive summer program and how to handle your class level placement with grace.</p>
<h4><strong>Class Placement</strong></h4>
<h6><img class="size-large wp-image-12656 alignleft" title="Empty Studio" src="http://danceadvantage.net/wp-content/uploads/2011/08/Empty-Studio-320x400.jpg" alt="IMAGE An empty studio IMAGE" width="320" height="400" /><strong>Observation</strong></h6>
<p>Over the first few days of most intensives you are observed in class. During these days, give it your best. Let the teachers see your capabilities. The classes in which you&#8217;ll be placed will help you grow and get your money’s worth from the program.</p>
<h6><strong>Level Placement</strong></h6>
<p>After the observation period you are placed according to your ability and where the training can most effectively help you.</p>
<p><strong>When you are placed, do not feel superior or inferior.</strong> Remember there will always be dancers better AND worse than yourself.</p>
<p>A girl from my home school began feeling very superior to all the other students. She had lovely technique, but like most students, still many areas that needed correction. She began thinking that our teachers and her fellow students were the reason she was not improving. She stopped taking any corrections in class and you could tell she was unteachable at that point. Do not let that ever be you!</p>
<p><strong>Accept your placement with grace.</strong> Typically these schools have run intensives for a while and they are professionals. They know where you might gain the most valuable training. Before complaining or being upset, trust them.</p>
<p><strong>If you are feeling unhappy with where you&#8217;ve been placed</strong>, give it a few days in those classes. If you are absolutely sure that it is not a good fit, then speak up with humility and respect. Typically, at least at my intensives so far, there is an artistic liaison with whom you can speak.</p>
<p><strong>If you make a request and it is not honored</strong>, then consider that your answer. Trust that you are where you should be and focus on learning everything that you possibly can in that level.</p>
<p>One of my Russian teachers said that <em>the truly gifted student can learn from even the worst teacher</em>. I think it is rare that we cannot learn something where we are.</p>
<p><strong>Do not focus on anyone but yourself.</strong> Remember why you came and keep your focus there.</p>
<p>Always strive for personal growth. For me, I know that I have a ton that still needs to be worked on in my technique. So, whether I am at a low or high level, personal improvement is my focus.</p>
<p>Professional dancers understand this and keep reaching for that unattainable perfection in their technique through continued training, coaching, and classes. It is what I respect most about dancers.</p>
<h4><strong>When Things Go Wrong</strong></h4>
<p>I&#8217;ve loved the teachers, training, and fellow students and have noticeably benefited from my three summer experiences so far. However, I have talked to others who&#8217;ve had not-so-great experiences.</p>
<p>Fellow SI students have helped me compile a list with some possible solutions, though no two situations are ever exactly the same.</p>
<h6><strong>Bad fitting roommate</strong></h6>
<p>I have never had this issue, but other folks tell me it can make an SI everything from annoying to unbearable. You might try:</p>
<ol>
<li><strong>Talking to the roommate</strong> (they may feel the same way about you).</li>
<li><strong>Ask yourself honestly if you are contributing to the situation.</strong></li>
<li><strong>Spend time with other students.</strong> All you really have to do is sleep there.</li>
<li><strong>If all else fails, bring in a third party to determine if a switch needs to be made.</strong></li>
</ol>
<h6><strong>Slob roommate</strong></h6>
<p>Once again, I have been fortunate. I am not a housekeeping poster child, but my mom has taught me to be respectful of others and the environment we share. None of my roommates have ever been messy or dirty. Yet, if paired with someone who is, you might consider:</p>
<ol>
<li><strong>Telling them how you feel about living in squalor</strong></li>
<li><strong>Offer to have a clean-up party together</strong></li>
<li><strong>In worse case scenario, bring in a third party (before you have bugs).</strong></li>
</ol>
<h6><strong>You are terribly homesick</strong></h6>
<p>I felt like this at the beginning of last summer. I had never been away before and everything was so foreign at first. This summer I am a little older, more comfortable and have had no trouble. These are the things that helped me last year:</p>
<ul>
<li><strong>Call home often.</strong></li>
<li><strong>Talk to someone you can trust.</strong> If things get unbearable and you cannot get beyond it, maybe you should let an adult help when decisions must be made.</li>
<li><strong>Write it down.</strong> I kept a journal every night before bed. I wrote down my feelings. Sometimes the next morning I could see I was just overly tired and sensitive the day before.</li>
<li><strong>Focus on the limited time that you will be here. </strong></li>
<li><strong>Remember how much you wanted to do this. </strong></li>
<li><strong>Recall the real reason you are here and focus everyday on the joy of dance!</strong></li>
</ul>
<p>For me, and typically, I think, homesickness is <em>temporary</em>. I am so glad I stuck it out my first summer and ended up having a blast!</p>
<h6><strong>Injury</strong></h6>
<p>I left to go away this summer with an injury sustained during rehearsal week for our spring showcase. I was not thrilled to say the least! If you are injured:</p>
<ul>
<li><strong><a title="When Should My Child See A Doctor for Dance Injuries?" href="http://danceadvantage.net/2009/06/03/when-to-see-a-doctor/">Learn to distinguish</a> between sore muscles (dull pain) and a possible injury (sharp pain).</strong> You WILL be sore. Know your body and acknowledge the difference.</li>
<li><strong>Ask a professional what you need to do.</strong> Typically all SIs have some sort of medical help, if you should need it.</li>
<li>
<h6><strong><strong><img class="size-large wp-image-12657 alignright" title="Report Injuries" src="http://danceadvantage.net/wp-content/uploads/2011/08/Report-Injuries-538x400.jpg" alt="IMAGE A sign encouraging dance students to report their injuries IMAGE" width="321" height="238" /></strong></strong></h6>
<p><strong>Treat an injury before and after class.</strong> I am very careful to do this daily.</li>
<li><strong>Know when to speak up.</strong> There is a fine line. I hate to complain if I do not have to. Yet, reporting an injury is the mature thing to do. I knew a girl who thought she was “weak” if she complained about an injury, so she continued to dance on it. Of course, it got to where she could not dance at all and had to sit out every day. The final result was surgery. That is scary! So let someone know. Keeping it a secret will only lead to possible worsening of the injury and longer healing time.</li>
</ul>
<h6><strong>Dealing with Divas</strong></h6>
<p>While I have not had the problem this summer, I have experienced it at my last SI and at my home school. Everything from girls pushing me out-of-the-way to get in the front line, timing my variations, trying to intimidate me, telling me I was too short, whispering to others right in front of me…..you name it!</p>
<p>In these situations <a title="How To Act (And React) Like A Professional" href="http://danceadvantage.net/2010/06/22/ultimate-professional/">act professionally</a> and refuse to be <a title="Bullying in Dance Class" href="http://danceadvantage.net/2008/05/04/bullying-in-dance-class/">bullied</a>:</p>
<ul>
<li><strong>Do not retaliate. </strong></li>
<li><strong>Remember, girls behaving this way are insecure inside. </strong>Truly accomplished dancers do not have to demean others to feel good about themselves. It is their insecurity, not yours….so do not let it affect you!</li>
<li><strong>Just focus on yourself and use the opportunity to your advantage. </strong>Seek to improve daily and just keep looking forward.</li>
<li><strong>Let no one make you feel inferior. </strong>As Eleanor Roosevelt said, they cannot do it &#8220;without your permission.”</li>
<li><strong>Smile at them. </strong><em>Kill them with kindness</em>, as my mom always says.</li>
<li><strong>Ignore them. </strong>They will eventually leave you alone.</li>
</ul>
<p>Sometimes this is easier said than done, I know!</p>
<h4><strong>Summing Up Summer</strong></h4>
<p dir="ltr">Remember, at ANY Summer Intensive, you only get out of it what you put into it.</p>
<blockquote>
<p style="text-align: center;"><strong><em>&#8220;The pessimist sees difficulty in every opportunity. The optimist sees opportunity in every difficulty&#8221;</em> &#8211; </strong>Winston Churchill</p>
</blockquote>
<p dir="ltr">Have fun! It is all in the way you see it.</p>
<p dir="ltr">Every day is a new opportunity to grow and improve as a dancer, to unite with fellow ballerinas or ballerinos-in-training, and just develop as a human being.</p>
<p dir="ltr">I hope each of you have had an amazing summer. I know that I have!</p>
<p dir="ltr">I am so thankful for these amazing opportunities that I have been given. I will never forget them &#8211; wonderful memories forever!</p>
<p dir="ltr"><strong>Keep dancing for it will bring you joy!</strong></p>
<h4 dir="ltr"><span style="color: #e5810e;"><strong>What are some other solutions to these SI problems?</strong></span></h4>
<h4 dir="ltr"><span style="color: #e5810e;"><strong>Are there other situations that can or have caused stress during your summer away?</strong></span></h4>
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<p><small>© Alison Shames for <a href="http://danceadvantage.net">Dance Advantage</a>, 2011. |
<a href="http://danceadvantage.net/2011/08/04/placement-and-problems/">Permalink</a> | Category: <a href="http://danceadvantage.net/category/dance-life/genre/ballet-pointe/" title="View all posts in Ballet/Pointe" rel="category tag">Ballet/Pointe</a>, <a href="http://danceadvantage.net/category/blog/" title="View all posts in Blog" rel="category tag">Blog</a>, <a href="http://danceadvantage.net/category/dance-life/genre/" title="View all posts in Dance Styles" rel="category tag">Dance Styles</a>, <a href="http://danceadvantage.net/category/for-students/" title="View all posts in Dancing" rel="category tag">Dancing</a>, <a href="http://danceadvantage.net/category/for-students/training-for-students/continuing-education/" title="View all posts in Summer Study/Workshops" rel="category tag">Summer Study/Workshops</a>, <a href="http://danceadvantage.net/category/for-students/training-for-students/" title="View all posts in Training" rel="category tag">Training</a>  |  <a href="http://www.google.com/blogsearch?hl=en&q=http://danceadvantage.net/2011/08/04/placement-and-problems/" title="Linking blogs to this article, on Google"><em>Who's talking about this article?</em><strong></a> </small></p>
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		<title>Presenting Hip Hop In a Positive Light</title>
		<link>http://danceadvantage.net/2010/09/09/clean-up-hip-hop/</link>
		<comments>http://danceadvantage.net/2010/09/09/clean-up-hip-hop/#comments</comments>
		<pubDate>Thu, 09 Sep 2010 13:20:18 +0000</pubDate>
		<dc:creator>Guest Contributors</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Dance Styles]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Hip-Hop/Street]]></category>
		<category><![CDATA[Teaching]]></category>
		<category><![CDATA[attitude]]></category>
		<category><![CDATA[b-boy]]></category>
		<category><![CDATA[Can't Stop Won't Stop]]></category>
		<category><![CDATA[clean up]]></category>
		<category><![CDATA[Dance in a box]]></category>
		<category><![CDATA[dance studio]]></category>
		<category><![CDATA[DJ Kool Herc]]></category>
		<category><![CDATA[energy]]></category>
		<category><![CDATA[Family]]></category>
		<category><![CDATA[hip hop for young dancers]]></category>
		<category><![CDATA[Hip Hop in a Box]]></category>
		<category><![CDATA[hip-hop]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[Jeff Chang]]></category>
		<category><![CDATA[positive]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[respect]]></category>
		<category><![CDATA[teaching hip hop]]></category>
		<category><![CDATA[Tricia Gomez]]></category>
		<category><![CDATA[where hip hop came from]]></category>

		<guid isPermaLink="false">http://danceadvantage.net/?p=7890</guid>
		<description><![CDATA[Back then, hip hop wasn’t about derogatory comments, threats, and how much money you made. It was about family and belonging. It was about taking your world and making sense of it…through dance (b-boying), through music (DJing), through art (graffiti), through words (MCing). THAT is where your philosophy needs to come from.]]></description>
			<content:encoded><![CDATA[<blockquote><p><em>After tweeting with Tricia Gomez (<a title="Tricia Gomez - DanceInABox on Twitter" href="http://twitter.com/danceinabox" target="_blank">@DanceInABox</a>) for a while and then seeing her in action at the Dance Teacher Summit this summer, I asked if she&#8217;d be willing to share her considerable knowledge of Hip Hop and talents as a teacher and studio owner with Dance Advantage readers. Tricia generously agreed to squeeze some writing into her busy schedule and I am happy to present below, the first of her guest contributions.</em></p></blockquote>
<h4><strong>So Fresh And So Clean, Clean</strong></h4>
<p><a href="http://www.flickr.com/photos/markjsebastian/3361484839/"><img class="alignright size-medium wp-image-7893" title="Jabbawockeez-hiphop" src="http://danceadvantage.net/wp-content/uploads/2010/09/Jabbawockeez-hiphop-300x200.jpg" alt="[Photo] Jabbawockeez - America's Best Dance Crew" width="300" height="200" /></a>It’s quickly becoming evident that Hip Hop is here to stay! With shows like So You Think You Can Dance and America’s Best Dance Crew, studio owners and teachers are realizing that being a hip hop technician (that’s right, I said hip hop and technician back-to-back) is a must for any dancer wanting to pursue a commercial dance career.</p>
<p>So how do we take what we see on TV and turn it into something that is appropriate for our younger students?  The answer lies in your teaching philosophy and your knowledge of what hip hop is and how it got started.  To highlight my point, I’d like to share an excerpt from “Can’t Stop, Won’t Stop”  by  Jeff Chang ©2005.  The excerpt is written by DJ Kool Herc in the Introduction of the book.</p>
<blockquote><p>“To me, hip hop says, “Come as you are.”  We are family.  It ain’t about security.  It ain’t about bling bling.  It ain’t about how much your gun can shoot.  It ain’t about $200 sneakers.  It’s not about me being better than you or you being better than me.  It’s about you and me, connecting one to one.  That’s why it has universal appeal.  It has given young people a way to understand their world, whether they are from the suburbs or the city or wherever.”</p></blockquote>
<p>DJ Kool Herc was there in the beginning.  He’s considered one of the founding fathers of the hip hop movement (yes, it’s a movement).  Back then, hip hop wasn’t about derogatory comments, threats, and how much money you made.  It was about family and belonging.  It was about taking your world and making sense of it…through dance (b-boying), through music (DJing), through art (graffiti), through words (MCing).  THAT is where your philosophy needs to come from.  The roots of hip hop grew from a positive place and it’s up to us teachers to present hip hop that way.</p>
<h6><div id="attachment_7892" class="wp-caption alignleft" style="width: 330px"><a href="http://photosbyrene.com/dance_action_portfolio.htm"><img class="size-full wp-image-7892" title="HipHop-International2" src="http://danceadvantage.net/wp-content/uploads/2010/09/HipHop-International2.jpg" alt="[Photo] Dancers from World Hip Hop Championship in red and black" width="320" height="213" /></a><p class="wp-caption-text">©René Michaels</p></div></h6>
<h4><strong>Awesome, you say!  But how do we do this?</strong></h4>
<h6>First off, get rid of the “attitude.”</h6>
<p>Think of teaching hip hop as an energy, not an attitude.  Energy causes emotion.  Attitudes are our perception of emotion…a falsehood.  To be true to hip hop, you need to be true to your emotions and the energy you emote.  That energy can be excitement, confidence, intimidation, fear, concern…you get the picture.  But the important thing is to present Hip Hop to our younger dancers in a positive atmosphere so that, as they grow and start to add emotional layers to their dancing, they have a clear understanding of where Hip Hop came from.</p>
<h6>Secondly, turn your dance lessons into life lessons!</h6>
<p>Hip Hop is all about relationships:</p>
<ul>
<li><strong>The student to the music</strong> (how the movements affected by the sound of the music),</li>
<li><strong>The student to fellow students</strong> (support of each other as family, movement in space),</li>
<li><strong>The student to the teacher</strong> (respect).</li>
</ul>
<p>These relationships follow us throughout life.  As teachers, it’s important to realize that our job isn’t just about teaching our students a few dance moves, but more importantly, it’s about teaching our students how dance is a part of our daily lives.</p>
<p><strong>The bottom line is this…we are the teachers.  Our students learn what we teach them.  If we teach hip hop in a clean and fun way that’s centered in respect, then our students will grow up with that same philosophy.  It’s up to us!</strong></p>
<blockquote><p><img class="alignleft size-medium wp-image-7891" title="tricia_gomez_headshot" src="http://danceadvantage.net/wp-content/uploads/2010/09/tricia_gomez_headshot-133x200.jpg" alt="[Photo] Tricia Gomez Headshot" width="133" height="200" />Tricia Gomez is the Director of HYPE Studios Cultural Arts Center in Los Angeles County and the President of Dance &#8211; In a Box Publishing. She is considered a pioneer in the pre-school and elementary hip hop field, often daring to go where others thought impossible. Her unique hip hop teaching methods have landed her on the Dr. Phil Show and as the Head Judge of the TV show &#8220;Dance Revolution&#8221;, which was loosely based on her product &#8220;Hip Hop In a Box&#8221;. Her philosophy on teaching kids hip hop has made her the subject of countless articles in dance and fitness magazines across the US and Canada. A few of Tricia&#8217;s credits include dancing for the Los Angeles Laker Girls, Universal Dance Association, Disneyland, Universal Studios, Knott&#8217;s Berry Farm and choreographing for Saved By the Bell, the Laker Girls, The Clipper&#8217;s Spirit Dance Team, the Portland Trail Blazers Dance Team, and Dance the Magic (which has been awarded Top Producer of Guest Talent at Disneyland for the past 5 years). Tricia was awarded the Viewer&#8217;s Choice Dance Instructional Video of the Year on DanceMedia.com!  For more information about Tricia teaching tools, visit <a title="DanceInABox.com - Hip Hop In A Box" href="http://danceinabox.com/#a_aid=danceadvantage" target="_blank">www.DanceInABox.com</a>!</p></blockquote>
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<p><small>© Guest Contributors  for <a href="http://danceadvantage.net">Dance Advantage</a>, 2010. |
<a href="http://danceadvantage.net/2010/09/09/clean-up-hip-hop/">Permalink</a> | Category: <a href="http://danceadvantage.net/category/blog/" title="View all posts in Blog" rel="category tag">Blog</a>, <a href="http://danceadvantage.net/category/dance-life/genre/" title="View all posts in Dance Styles" rel="category tag">Dance Styles</a>, <a href="http://danceadvantage.net/category/featured/" title="View all posts in Featured" rel="category tag">Featured</a>, <a href="http://danceadvantage.net/category/dance-life/genre/street/" title="View all posts in Hip-Hop/Street" rel="category tag">Hip-Hop/Street</a>, <a href="http://danceadvantage.net/category/for-teachers/" title="View all posts in Teaching" rel="category tag">Teaching</a>  |  <a href="http://www.google.com/blogsearch?hl=en&q=http://danceadvantage.net/2010/09/09/clean-up-hip-hop/" title="Linking blogs to this article, on Google"><em>Who's talking about this article?</em><strong></a> </small></p>
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		<title>16 Audition Basics and Pointers For Keeping A Positive Perspective</title>
		<link>http://danceadvantage.net/2010/09/02/audition-tips/</link>
		<comments>http://danceadvantage.net/2010/09/02/audition-tips/#comments</comments>
		<pubDate>Thu, 02 Sep 2010 18:13:17 +0000</pubDate>
		<dc:creator>Nichelle (admin)</dc:creator>
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		<category><![CDATA[how to]]></category>
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		<description><![CDATA[Expecting a certain outcome puts your mind in a place and time other than the audition and you'll need to have your head in the present tense to do well. Clear your mind and dance because you love dancing, not because of the pot of gold that may or may not be at the end of this rainbow.]]></description>
			<content:encoded><![CDATA[<h4><strong>The Basics</strong></h4>
<p><span style="font-size: x-large;"><span style="color: #880000;"><strong>One</strong></span>.</span> Be rested so that you can be your best.  <span style="font-size: x-large;"><span style="color: #880000;"><strong> </strong></span></span></p>
<p><span style="font-size: x-large;"><span style="color: #880000;"><strong>Two</strong></span>.</span> Make nutritious meal choices, starting now. Eat a light meal at least an hour before the audition.  <span style="font-size: x-large;"><span style="color: #880000;"><strong> </strong></span></span></p>
<p><span style="font-size: x-large;"><span style="color: #880000;"><strong>Three</strong></span>.</span> Arrive with plenty of time to warm up your body in advance. (Some auditions, particularly for children, may be structured to provide a warm-up. Find out ahead of time. You&#8217;ll still want to arrive with time to spare to get familiar with the environment.)  <span style="font-size: x-large;"><span style="color: #880000;"><strong> </strong></span></span></p>
<p><span style="font-size: x-large;"><span style="color: #880000;"><strong>Four</strong></span>.</span> Dress appropriately and neatly in something that flatters you and be ready to shed layers so that the panel can see your body. Unless it is required that you dress a certain way, it is alright to choose a look that shows your personality or helps you stand out. However, use good judgment. Your look should not overshadow your dancing, after all it is your dancing you want to be remembered for.  <span style="font-size: x-large;"><span style="color: #880000;"><strong> </strong></span></span></p>
<p><span style="font-size: x-large;"><span style="color: #880000;"><strong>Five</strong></span>.</span> Be gracious from start to finish (even if the outcome is not what you had hoped). Treat your fellow dancers and audition panel with the utmost respect. Courteously ask questions and take corrections from the choreographer.  <span style="font-size: x-large;"><span style="color: #880000;"><strong> </strong></span></span></p>
<p><script src="http://view.picapp.com//JavaScripts/OTIjs.js" type="text/javascript"></script></p>
<p><span style="font-size: x-large;"><span style="color: #880000;"><strong>Six</strong></span>.</span> Learn what you can about the school, company, team, ballet, or performance for which you are auditioning.</p>
<p><span style="font-size: x-large;"><span style="color: #880000;"><strong>Seven</strong></span>.</span> Know exactly what you will be expected to bring, complete, or have with you at the audition. Be prepared even with items you MIGHT need, like extra hair bands, knee pads, dance shoes, etc.</p>
<p><span style="font-size: x-large;"><span style="color: #880000;"><strong>Eight</strong></span>.</span> Perform it, &#8220;sell it.&#8221; Even in an audition class, really DANCE IT with expression, enthusiasm, and energy.</p>
<p><span style="font-size: x-large;"><span style="color: #880000;"><strong>Nine</strong></span>.</span> Stand where you can see and be seen without muscling your way to the front. If you are struggling or don&#8217;t know the choreography, stand further back until you do so that you can wow them once you&#8217;ve got it.</p>
<p><span style="font-size: x-large;"> </span> <span style="font-size: x-large;"><span style="color: #880000;"><strong>Ten</strong></span>.</span> Don&#8217;t embellish the choreography unless you are asked to. If you ARE given this freedom, <a title="How To Make Choreography &quot;Your Own&quot;" href="http://danceadvantage.net/2009/04/16/make-it-your-own/">click here for some tips for making choreography your own</a>.</p>
<h4><strong>Next Steps</strong></h4>
<div style="float: left; margin-right: 5px;"></div>
<p><script src="http://view.picapp.com//JavaScripts/OTIjs.js" type="text/javascript"></script><span style="font-size: x-large;"><span style="color: #213141;"><strong>One</strong></span>.</span> It is okay to be human. To &#8220;never&#8221; show a mistake seems unnatural, but don&#8217;t make a spectacle of your mistakes with a tantrum or grotesque faces or by stopping. If you have covered or recovered your mistake well, forget it and keep going. If not, it is natural, while you are learning or after you have performed choreography, to acknowledge mistakes with a smile, a chuckle, or apology (if your mistake impacted others) and then move on. A light, positive, even joking manner can show that you will be fun to work with.</p>
<p><span style="font-size: x-large;"><span style="color: #213141;"><strong>Two</strong></span>.</span> Have no expectations. Expecting a certain outcome puts your mind in a place and time other than the audition and you&#8217;ll need to have your head in the present tense to do well. Clear your mind and dance because you love dancing, not because of the pot of gold that may or may not be at the end of this rainbow.</p>
<p><span style="font-size: x-large;"><span style="color: #213141;"><strong>Three</strong></span>.</span> You have nothing to lose. This is related to #2. If you are worried about what is at stake, then you have expectations that this role, this job, or this opportunity is already yours. You cannot lose what you don&#8217;t have. Knowing this, you can relax and enjoy the moment to shine, to dance, and grow with experience.</p>
<p><span style="font-size: x-large;"><span style="color: #213141;"><strong>Four</strong></span>.</span> Say &#8220;thank you&#8221; after the audition (with a written note or in person if possible) and say &#8220;thank you&#8221; whether you are selected or dismissed.</p>
<p><span style="font-size: x-large;"><span style="color: #213141;"><strong>Five</strong></span>.</span> Remember that no matter how intimidated you may be by the panel, they want you to do well. They want to have the best dancers to select from and are hoping that everyone walking into that audition is the best they&#8217;ve ever seen.</p>
<p><span style="font-size: x-large;"><span style="color: #213141;"><strong>Six</strong></span>.</span> Auditioning is a skill. Audition often and know that you can improve your skills. In fact, you may learn the most from your worst audition. You will likely go through many poor auditions before you are cast, and you will quickly learn that sometimes even great auditions don&#8217;t get you the job. Don&#8217;t lose faith in yourself.</p>
<p><strong><span style="color: #880000;"><span style="font-size: x-large;">Remember!</span></span> </strong>You can only be you, so much of the best audition preparation is the everyday work you go through to be the best dancer you can be. Be yourself and enjoy the process!</p>
<h6>More Audition Resources</h6>
<p>A great article from Charlotte Examiner, Cynthia Beers on <a title="How To Audition For A Dance Program" href="http://www.examiner.com/dance-in-charlotte/dance-101-how-to-audition-for-a-dance-program" target="_blank">How To Audition For A Dance Program</a></p>
<p>Check out <a title="The Ballet Audition Preparation Guide" href="http://www.balletaudition.com" target="_blank">The Ballet Audition Preparation Guide</a>. I don&#8217;t have first-hand experience, nor am I affiliated with this guide but here&#8217;s what <a href="http://twitter.com/ginzone">Ginny</a>, a dance mom, had to say about it: &#8220;It has a lot about goal setting, keeping a journal of your progress (not just in preparation for auditions, but all year long), along with practical advice about preparing for an audition, what to wear, eat, etc.  If a student really took the time to read it and put into practice the advice given, I think it would be helpful.&#8221;</p>
<p><a href="http://www.amazon.com/gp/product/0963786490?ie=UTF8&amp;tag=danceadvan-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=0963786490"><img class="alignright" style="border: 0pt none;" title="A Dancer's Manual" src="http://ecx.images-amazon.com/images/I/51EQCWDKXGL._SL160_.jpg" border="0" alt="" width="103" height="160" /></a><img style="border: none !important; margin: 0px !important;" src="http://www.assoc-amazon.com/e/ir?t=danceadvan-20&amp;l=as2&amp;o=1&amp;a=0963786490" border="0" alt="" width="1" height="1" /><br />
Look into this Kindle Edition resource: <a href="http://www.amazon.com/gp/product/B003GDI9QA?ie=UTF8&amp;tag=danceadvan-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B003GDI9QA">The Ultimate Guide to Dance/Drill Team Tryout Secrets, 3rd Edition</a><img style="border: none !important; margin: 0px !important;" src="http://www.assoc-amazon.com/e/ir?t=danceadvan-20&amp;l=as2&amp;o=1&amp;a=B003GDI9QA" border="0" alt="" width="1" height="1" />. I&#8217;ve actually read a <a href="http://www.amazon.com/gp/product/0970860242?ie=UTF8&amp;tag=danceadvan-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=0970860242">hard copy of this</a> and it is solid information for youth or teens hoping to make the team from a successful and experienced dance and drill team performer.</p>
<p>Get a copy of <a href="http://www.amazon.com/gp/product/0963786490?ie=UTF8&amp;tag=danceadvan-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=0963786490">A Dancer&#8217;s Manual: A Motivational Guide to Professional Dancing</a><img style="border: none !important; margin: 0px !important;" src="http://www.assoc-amazon.com/e/ir?t=danceadvan-20&amp;l=as2&amp;o=1&amp;a=0963786490" border="0" alt="" width="1" height="1" />. I own this one and this 1999 guide is not a large book but it provides a mixture of motivational and practical advice if you are starting out in this tough career. The audition section offers perspective on nerves and attitude, as well as useful information on head shots and your resumé. Other areas covered include contracts, pay, injuries, and dancer fitness.</p>
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<p><small>© Nichelle Strzepek for <a href="http://danceadvantage.net">Dance Advantage</a>, 2010. |
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		<title>The Professional Dancer&#8217;s Survival Kit</title>
		<link>http://danceadvantage.net/2009/09/28/pro-survival-kit/</link>
		<comments>http://danceadvantage.net/2009/09/28/pro-survival-kit/#comments</comments>
		<pubDate>Mon, 28 Sep 2009 13:00:13 +0000</pubDate>
		<dc:creator>Guest Contributors</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Career]]></category>
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		<category><![CDATA[attitude]]></category>
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		<category><![CDATA[expectations]]></category>
		<category><![CDATA[kiner enterprises]]></category>
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		<description><![CDATA[Do you have an interest in taking your dancing to the professional level? Here are some inside tips on what you need to survive in your career as a professional dancer.]]></description>
			<content:encoded><![CDATA[<p style="font-size: 18px;">Do you have an interest in taking your dancing to the professional level?</p>
<blockquote><p><em>Our guest post today is by Ashani Kiner, an experienced dancer, teacher, and business owner. She is offering sound advice for those who wish to pursue a career in dance.</em></p></blockquote>
<p><strong>Here are some inside tips on what you need to survive in your career as a professional dancer:</strong></p>
<h4 style="text-align: justify;">1. Realistic Expectations</h4>
<p style="text-align: justify;"><a href="http://www.flickr.com/photos/duckducksnap/2512651467"><img class="alignleft" src="http://farm4.static.flickr.com/3271/2512651467_077d20d77a.jpg" alt="" width="110" height="165" /></a>If you think that because you were the strongest dancer at your local dance studio, in your high school, or anything along those lines, that you will automatically be highly sought after as a professional, you will get a pretty harsh reality check when you see some of your competition in the professional dance world. My advice is, know your strengths, and always play them up, along with your uniqueness as a dancer. Additionally, learn your areas of weakness, and work tirelessly on getting stronger in those areas. Understand that there will be auditions and jobs that you simply won’t get based on politics, type-casting, or other non-personal reasons, so you must develop a tough skin in order to survive.</p>
<h4 style="text-align: justify;">2. Professional Photos/ Resume</h4>
<p style="text-align: justify;">This goes without saying. Presentation is everything, so don&#8217;t scrimp on your photos. Save up the money you need in order to get professional photos taken. Also, make sure that your resume is in the proper format for performing arts resumes, which is different from the format for a regular job resume.</p>
<h4 style="text-align: justify;"><a href="http://www.flickr.com/photos/duckducksnap/2508251982"><img class="alignright" src="http://farm4.static.flickr.com/3202/2508251982_7d9df0d801.jpg" alt="" width="161" height="218" /></a>3. An Education and Other Non-Dance Related Skills</h4>
<p style="text-align: justify;">I have a Bachelor of Arts in Dance, and after having that experience, I highly recommend getting a college degree. I also have a B.A. in Hispanic Studies, as I always wanted to have something else to fall back on, in case I ever got injured or something, and could no longer dance. Maybe college isn&#8217;t for you, or you can&#8217;t afford it. Finish high school, in the least, and involve yourself in professional internships, or other jobs, to develop your skills, and build a professional resume. This will not only help you to have a more successful career as a professional dancer, but it will allow you to have more options when you&#8217;re in between dance jobs, or still building your dance resume.</p>
<h4 style="text-align: justify;">4. An Emergency Fund</h4>
<p style="text-align: justify;">Financial pressure is <em><strong>real!</strong></em> Unless you&#8217;re living at home with Mom and Dad, or have someone sponsoring your daily living expenses, you&#8217;re going to need money to survive. Most importantly, with the many inconsistencies in this business, you will need to have some serious savings to carry you through the slow times and unexpected emergencies. Not to mention, to free you from doing &#8220;anything&#8221; to make a quick buck, because you&#8217;re desperate for money. That&#8217;s never a good frame of mind to be in.</p>
<h4 style="text-align: justify;">5. A Support System</h4>
<p style="text-align: justify;">Whether it&#8217;s your faith, your friends, or your family, you will definitely need some support outside of yourself from time to time, when you don&#8217;t get that job or audition that you really wanted. Or, for those days when you look at your bank account, or how hard you&#8217;re working, and wonder if it&#8217;s all worth it.</p>
<h2>Plus 3 More Survival Tips:</h2>
<ul>
<li style="text-align: justify;"><strong><a href="http://www.flickr.com/photos/duckducksnap/2513477206"><img class="alignright" src="http://farm3.static.flickr.com/2108/2513477206_7666bc0c98.jpg" alt="" width="304" height="186" /></a>A Healthy Lifestyle</strong> &#8212; It is very important to eat healthy and stay in shape. You want to be ready at any time for great, unexpected dance opportunities.</li>
<li style="text-align: justify;"><strong>A Habit of Learning and Growing </strong>&#8211; From taking dance classes regularly, to learning from online videos/classes, or simply working on your skills/choreography in your home, you must continuously strengthen your skills, feed your creativity, and challenge yourself.</li>
<li style="text-align: justify;"><strong>Tenacity, Persistence, and a Positive Attitude</strong> &#8212; The only true failure is giving up. Don&#8217;t let rejection, other people&#8217;s success, or a longer road to your dreams than you expected, get you down. Nothing worth having comes easily. You must fight for your dream, and know that everything happens for a reason. The path that is for you, is specially-made for you only. So, don&#8217;t focus on others, on your obstacles, or setbacks, focus solely on being and doing your best in all that you do.</li>
</ul>
<hr />
<p style="text-align: justify;"><strong><img class="alignleft size-medium wp-image-3672" title="kiner" src="http://danceadvantage.net/wp-content/uploads/2009/09/kiner-133x200.jpg" alt="kiner" width="133" height="200" /><span style="color: #333333;">Ashani Kiner</span></strong><span style="color: #333333;">, a New York City native, graduated from Connecticut College with a Bachelor of Arts in Dance. She has 20 yrs of experience in the dance industry and has trained, taught, and performed at the world-famous Alvin Ailey American Dance Center and Steps on Broadway in NYC. She has also taught at Ballet Hispanico, as well as numerous NY Metropolitan area dance studios, public and private schools, and non-profit arts organizations.</span></p>
<p style="text-align: justify;"><span style="color: #333333;">She is also the president and CEO of <a href="http://www.kinerenterprises.com"><strong>Kiner Enterprises Inc.</strong></a>, the first dance teacher staffing agency in the U.S. They provide dance teachers in all genres of dance, with credits ranging from former Alvin Ailey American Dance Theater company members, Broadway and Broadway tour performers, dancers and choreographers for recording artists such as, Ashanti, Beyonce, Kat DeLuna, Hannah Montana, and Snoop Dogg, as well as the Knicks City Dancers, and dance companies including, The Metropolitan Opera Ballet, The San Francisco Ballet, and Complexions.</span></p>
<p style="text-align: justify;"><strong><span style="color: #333333;">Follow Kiner Enterprises <a href=" http://www.twitter.com/kinerenterprise">via Twitter</a> or <a href="http://companies.to/kinerenterprisesinc./">become a fan on Facebook</a></span></strong></p>
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