Using Photographs as Inspiration for Choreography

Whether you are a teacher looking for new recital dance ideas, or a budding student choreographer, we could all use a little inspiration from time to time.  Photographs are a great way to get the creative juices flowing. Here is how one choreographer tied his existing dance to photographs, making both come alive.  This is certainly one way to give your choreography new dimension. However, as I read the article, I began contemplating ways one could use photography as a starting point.  These could also be great exercises for those participating in or instructing a composition/choroegraphy workshop.

  • Compile a series or grouping of photographs and put them in order (randomly or deliberately) and re-create the photo with dancers in a tableaux.  Then decide how to move between them.
  • Choose personal photographs (from childhood or a special time in your life) and use them to bring you back to that time period, set the mood for the dance, or become characters in your narrative/story.
  • Choose a single photograph that speaks to you.  The colors and style of the photograph can inspire lighting or costuming.  Even if there are no people in the photograph, your dancers and their movement can evoke the emotions or feeling of the image.  You can even project the photo on your backdrop.
  • Here’s another unique idea, using photographers as the subject of choreography.

There are lots of possibilities. Perhaps old Hollywood glamour photos will inspire black and white costuming and lighting effects to simulate flashbulbs.  Perhaps a wide landscape photo will inspire large, open movement with broad and sweeping music.  Historical photos could help re-enact moments from our nation’s past. An entire program or your next recital could be filled with dances that are inspired by photographs/photography.  Remember, there are no limits other than your imagination and no wrong way of using the photograph(s) as a jumping off point.

What are some of your ideas for using photography as a starting point for choreography?

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About Nichelle (admin)

Nichelle Strzepek began Dance Advantage in 2008, equipped with little more than passion for movement education, curiosity, and an intuitive sense that the Internet could bring dancers together. She has written about 100,000 words on dance and dance training each year of its existence. Nichelle holds a BA in dance and is an instructor with more than 16 years experience. She continues to perform as a contemporary dance artist, covers dance in the Houston area as a freelance writer and critic, and balances daily life as a full-time mom of two young children.

Comments

  1. kathy stemke says:

    I use lots of photography with my choreography. I do a lot of church productions which lend themselves to multi media.

    Just some examples…
    I used animated slides to open the tomb with a high intensity light getting bigger and bigger while dancers danced to “He’s Alive”

    The Holy Spirit danced creation as slides of the universe and earth came onto the screen.

    Satan danced and sin photos appeared on 5 screens.

    I projected Rembrandt’s oil paintings of religious scenes which the dancers mimicked-including flipping the slide of the ship at sea while the dancers leaned in the new direction. They danced from pose to pose too.

    I projected scenes of Jesus healing people on three stand up screens which the dancers danced around to “Marvelous”

    In the future I plan to use video as well. We raise our own money for costumes, theater rentals and lights. We’re saving up for a projector.

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